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First FORMAL bass lesson- yesterday

Apr 18, 2015
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I've been playing bass and guitar off and on since I was a kid. I decided to start playing it seriously a year ago this past January and think I did a pretty good job on my own. But my aspirations are much bigger now and I want to be "hirable". So I decided to see if I could find a suitable local teacher. I finagled a "complimentary" lesson and planned to do that with a couple of other instructors, but think, at least for now, found the guy for me. He was a young dude, 25 and based on his age and demeanor working for a guitar shop I wondered what he'd be able to teach me.

In our discussion leading up to the lesson, I set some guidelines. I told him that I expected a teacher who would be coaching me on an ongoing basis needed to be prepared ahead of time from week to week and that he should know what the lesson is going to be before I walk in the door and have the proper materials ready. I also told him that I don't like clock-watchers and that I never do that when giving trumpet lessons and routinely go overtime (those from Lousiana will understand lanyap). This guy did not disappoint me.

He had prepared some initial music for me to read to test my ability and almost instantly found some holes in my playing, my left hand technique/approach and a bit on my right hand, but thought my right hand was generally good. However, he noticed that middle and index sounded a bit different. I think part of that issue was that I tend to play with short nails and my middle nail was a little long. I would file them way back if I didn't want a bit of nail for fingerstyle acoustic guitar. I'll just have to do daily manicures when I can't easily play evenly.

The first thing he noticed was my notes weren't always clean. Sometimes a little buzzy, almost unnoticeable, but he noticed. And said that when I go fast I sometimes get a bit flat fingered. He told me to work on playing more with my fingertips and getting closer to the fret. Also, he said my left thumb "floated" rather than pivoted and suggested that my left hand pivot around the thumb rather than have the thumb move laterally on the back of the fingerboards as electric shredders often do. He noticed that I had worked on my alternating fingers, alternating when ascending and raking when appropriate while descending. He thought I should practice pure alternating too when descending. I think that will be the most difficult.

Also, he is having me work on discovering the fingerboard in what I consider a most unusual way. He asked to play arpeggios of major and minor chords ascending, but using an open string to give me time to switch to a higher position to continue the arpeggio. THAT was the most difficult thing for me, and when it came to doing that in inversions, my brain just went into overload.

We really didn't have time to get into tunes, but I think once this stuff seeps into my DNA my reading will improve, but more importantly, I'll have a technique that folks will want to listen to. So I think I owe it to this young man to continue for at least several lessons to see where it takes me.

I thought I'd share my experience because we see so many threads about how to learn off the internet. I would have spent years figuring out what I didn't know when all of it was put in front of me in 45 minutes. Thanks for taking the time to read it.
 
Lessons saves years of floundering in the dark on your own...

I truly believe that, though sometimes I'm a little slow to take my own advice. At this point it's a little hard to see how this very basic stuff is going to get me fast-tracked by incorporating it into actual playable music... but I supposed cleanliness and finesse is the first step toward musicality and speed. I never realized at how weak my visualization of the fingerboard is. I think the arpeggios are going to open my eyes.
 
Sounds like you found a good one.

Time will tell... But I'm willing to put money on this one for a bit. I'm sure I'll have more to report even before the next lesson as even practicing today has caused me to make enough mistakes to work through. Part of the discipline isn't even in playing but forcing my eyes not to wonder on the page and look at my left hand only when necessary... usually only after I've missed. This all should train my hand to know where to go without looking too. That in itself will be a huge advantage. Even after all these years I'm still not intuitive on the fingerboard after we get past the first few positions. I guess I'm in bass boot camp!