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My hand floats, but not like most who use the standard floating thumb technique. My thumb kinda goes along the E-string. Anyway, no matter the variation, what does matter is that I can get different sounds by plucking the strings at different places along their length. It's like having an eq knob in my fingertips. Sounds that I can't find by turning knob can come closer to reality by finding the right place on the string to play. Sometimes my thumb lightly rests on the front pickup for awhile, too.
Cool..my teacher was saying that (once you master it), this technique will improve your speed and reduce fatigue...he's very big into the proper ergonomics when playing. I can see his point..the more efficient you are, the better you should be able to play.
Also, try to play without gripping the neck too hard, or plucking the strings too hard.
It allows you to access all of the strings with the same finger technique. In other words, you don't have to stretch your hand to play the higher notes. It also helps with fatigue because your hand and wrist are at a more natural position. FWIW if your hand gets fatigued it is good to raise your elbow so that your wrist straightens out. It may look and feel a little funny at first but it works wonders.
First of all, your thumb can mute the E string, A string, etc. The string below (above) the string you're playing fingerstyle simply becomes your anchor spot, which also includes the edge of the pickup if that's handy.
Another advantage to floating thumb is that you can play other places than just at the pickup, which gives you more tone options.
My bass teacher is an advocate of the "floating thumb" technique...in other words, he doesn't anchor his thumb on the edge of the pickup or on a thumb rest. Just wondering what using this method does in terms of improving your bass playing?
I like the comment Billy Sheehan made when asked about this which was that it's a ok when sitting down. But when your on stage you really need something solid to anchor too........

When playing floating thumb style, where should the heel of the plucking palm be?
I notice when I let it rest on the body of the bass I get more decisive notes but it may be that I just need to strengthen and tone my fingers (I'm a relative newcomer to fingerstyle). When I keep the palm totally off the body, though, I have better string-to-string motion without changing the curl of my fingers.
So it seems to be a tradeoff. I know many will say "Do what works for you" or "YMMV", but as a newbie to this technique I want to avoid training in any bad habits.
After many years of flatpicking I learned to keep the wrist off the bass for fluid string-to-string motion, just wondering if that has the same priority for floating thumb?
Thanks for your advice.