We were just talking about that album at a rehearsal last week.
One of our grooves was veering towards a reggae feel, and the drummer pointed out how much stuff he'd stolen from Stewart Copeland. I then told the story about how, when Ghost In The Machine first came out and I was an undergrad at music college, we used to play a drinking game: Try to find the downbeat of the chorus to "Spirits In The Material World" If you failed, drink up!
The funny thing is nowadays I can't not hear it correctly; it is so obvious to me. But when that record was first released, I swear it must've taken me and my classmates two or three months to figure out where the downbeat was! There was a lot of cheap beer getting chugged!
Fun fact: Every bass track on that album is double-tracked. Usually by two different basses.