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G&L L-2500 S750 - Review

So, after a little over a year of owning it (& as there aren’t many reviews on these) I thought I’d share my thoughts on my G&L L-2500 S750, which LowEndLobster kindly sold to me and reviewed herself.

Overall, my go to bass. Unmatched tone-wise and a real looker. However, to avoid bias, here are some pros & cons:

PROS:

- MFD pickups are out of this world, better than anything else on any of my basses, & are the main reason I always use it.
- Preamp is great too, albeit a little unconventional. I love having what are essentially passive treble and bass tone knobs. I also like the pickup selector switch rather than a knob, as it simplifies an already complicated tonal palette. The active options are also nice although I run mostly passive.
- Neck, which is chunkier, & the 19mm spacing are perfect for my hands (which are on the larger side).
- K-MOD, although done by my local guitar tech rather than G&L, adds even more to the bass. I only use it for a proper J tone (rather than single neck coil etc..) as it scoops an already very mid-y bass quite nicely.
- It kicks all the time (which I’ll also pop in the cons) meaning whether you’re solo or mixed, it cuts and punches, which is ace assuming that’s what you want..
- General sturdiness is great, feels solid and reliable, balances well, resonates nicely, although there’s a con coming with that too..

CONS:

- Gloss on the neck was so thick.. Lobster didn’t mind it, I did, so I made it satin, easy fix.
- Weight is a tad heady, not crazy, 4.5kg maybe, but a good strap goes a long way.
- Action refuses to go low. To clarify, when I say low I mean like my Sandberg which ignores the laws of physics.. it’ll sit just under fender specs quite happily, but try & take lower and it’ll just complain constantly. I had the same thing (worse, actually) with an old L-2000.
- The low B is ok, not amazing.. it’s only a 34” scale, & my main comparison is a Lakland 35” 5er, so I’m possibly judging a little harshly.
- The big one.. G&L’s famous electronics problems meant a pickup died randomly.. my tech couldn’t work out why & it had to be replaced. Rubbish situation however it lead to the K-MOD so, there we are.
- As above, it kicks all the time.. Which is to say even when the tone knobs are all the way down, it still feels like it’s trying to punch you in the face. More a character of the instrument, however it lands in the cons too because if you want polite, just don’t ask..

Overall, I love it. It’s got an attitude, & I genuinely think it has days where it loves me, and days when it would garrotte me if it could, which is.. fun..? However, when the GAS takes over & I watch videos of F Basses etc, I’m always left thinking my G&L sounds more versatile, punchy, gorgeous etc & the GAS dies (a little..).

Anyway, there we are.. I’ll link a video of the K-MOD..

IMG_3863.jpeg
 
Thanks for this review, which is timely for me because I've started thinking an L-2500 with K-mod might be a perfect complement to my M-2500. I have a fantastic five-string J-bass (Sandberg TT-5), but IME there's nothing like the power and even response of these dual MFD G&Ls.

Also, I love the orange finishes on both bass and cat!
Absolute pleasure! Yeah the MFDs really bite (as does the cat..). When getting the replacement pickup, Memo at G&L told me the S750 doesn't come with the K-MOD even as an option.. the regular spacing one might though.. Happy to try & answer any questions if you have any 😊
 
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Very cool to get your review. I have owned two L2500s over the years and now a Kiloton V. Maybe I'm lucky but I didn't even know G&L was famous for electronic issues in their basses. Have been considering one of these, but now I'm used to the 17.5mm spacing!
About the MFDs, you've had the bass for a while so you probably landed on this but it took me a while (actually it was with my third G&L!) to really grasp how effective it is to run the volume knob down, even as much as to 80%. I believe that was Leo's intent with the design. It totally opens up the sound for me, tames the MFDs and puts you into a more vintage-voiced territory. I can make the bass sound absolutely mellow if I want, as opposed to the famous MFD aggressive vibe(and it's still at the same output level as my passive Fenders). And the tone knobs interact with the different vol setting in very usable and noticeable ways. I never dime the volume on my Kiloton, in fact it can clip lotsa things you'd run it into. It was counterintuitive for me being used to just diming the volume on passive basses all the time!
 
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Very cool to get your review. I have owned two L2500s over the years and now a Kiloton V. Maybe I'm lucky but I didn't even know G&L was famous for electronic issues in their basses. Have been considering one of these, but now I'm used to the 17.5mm spacing!
About the MFDs, you've had the bass for a while so you probably landed on this but it took me a while (actually it was with my third G&L!) to really grasp how effective it is to run the volume knob down, even as much as to 80%. I believe that was Leo's intent with the design. It totally opens up the sound, tames the MFDs and puts you into a more vintage-voiced territory. I can make the bass sound absolutely mellow if I want, as opposed to the famous MFD aggressive vibe(and it's still at the same output level as my passive Fenders). And the tone knobs interact with the different vol setting in very usable and noticeable ways. I never dime the volume on my Kiloton, in fact it can clip lotsa things you'd run it into. A bit counterintuitive when you're used to just diming the volume on passive basses all the time, at least I know it was for me!
Yeah, was mostly other comments online about their electronics which gave a reputation of sorts, & I’ve only had 2 G&Ls, with the one problem, albeit a sizeable one..

You’re absolutely right, thanks for adding! I also took the “start at zero” approach with the tone for a while, treating them like a boost rather than a cut. It’s a weird set up, I love it 😝
 
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Yeah, was mostly other comments online about their electronics which gave a reputation of sorts, & I’ve only had 2 G&Ls, with the one problem, albeit a sizeable one..

You’re absolutely right! I also took the “start at zero” approach with the tone for a while, treating them like a boost rather than a cut. It’s a weird set up, I love it 😝
It is weird for sure. I can see how all these online reviewers get one to review and just slam all the knobs and think it's just a tool for flattening cities. Takes a little time to get used to. I found after lowering the pickups and running the volume down as I say, it's like there's a whole 'nuther bass in there!
BTW, how's the single coil hum with the K-mod? I use the sc setting on the Kiloton all the time and while there's a little hum in some settings, it's nowhere near as much as most passive J's I've owned. For how powerful they are the MFDs actually seem pretty quiet.
 
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It is weird for sure. I can see how all these online reviewers get one to review and just slam all the knobs and think it's just a tool for flattening cities. Takes a little time to get used to. I found after lowering the pickups and running the volume down as I say, it's like there's a whole 'nuther bass in there!
I know, on the SBL review of G&L they did that and it drove me crazy..

Yeah, on the pickup height.. I knew someone who had experience with MFDs before I got my first L-2000, & he showed me that they can actually pull the string down if they’re too high, making your action seem too low.. now that’s a pickup!

Even with the adjustments it’s still a puncher, more so than any other bass I’ve played..
 
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I know, on the SBL review of G&L they did that and it drove me crazy..

Yeah, on the pickup height.. I knew someone who had experience with MFDs before I got my first L-2000, & he showed me that they can actually pull the string down if they’re too high, making your action seem too low.. now that’s a pickup!

Even with the adjustments it’s still a puncher, more so than any other bass I’ve played..
I hear ya. The only bass I own where I find myself scooping some mids fairly often.
 
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Love my l2500 s750. I pulled the preamp and rewired it to series, single, parallel pickup switching on each pickup and run Label Deep Talking Flats. Weight is the only downside at 10.2 lbs. For the action i had to shim the neck to get it lower and it now plays great.
MFDs + flats FTW! I have Legends on my Kiloton V and it has so much clarity and presence in a mix, all the way down to the low B. Plenty of sustain as well.
 
What a timely thread! Great review of the Pros and Cons of the L2500. Lengthy rant ahead:

I have been in the market for a well crafted, comfortable fiver and my journey (which had me purchase and gig with Schecter, Carvin's, Kiesel, Ibanez, Warwick, Lakland, & Sire) has finally led me to G&L. Its crazy because, I too was led to find the L2500s to "clanky" given I could only rely on those god awful demos on youtube and yes @Rob Harrison, that highly offensive tone from the SBL video.

At any rate, I saw a 750 series at my GC and tried it out. I found it incredibly comfortable and "familiar" since I am a die-hard J and P kinda guy. Since I recently got used to controlling my tones better with the VVT on my J, I approached the L2500 with the same nuance and found it to be a treasure trove of tone (TToT) <--- I'm gonna trademark that lol!

Needless to say I bought it (okoume body in the awesome old school tobacco finish with rosewood board). I have done 5 gigs with it so far and just find it fits the bill in the variety of cover bands I play in. I then saw GC had the tangerine finish one in either basswood or alder, can't tell. But I bought it to A/B them and see which I like more. My 45 day return window is closing fast on the first one.

I find the Okoume to be physically heavier with more mids and a woofy bottom. You can run at 0% bass on that bad boy and get a useable tones. I also don't like that the fret board markings are a bit tougher to see in low light. But, the basswood or alder body L2500 is lighter, snappier and lets me more easily get high-fi slap tones needed on those top 40 wedding gigs. But 90% of the time I like my more mellow and pillowy stuff so I'm in a pickle.

At any rate, @Rob Harrison, is yours Alder or Basswood?

PS, I might DM you to ask about the K-mod as I will want to do that as well.
 
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What a timely thread! Great review of the Pros and Cons of the L2500. Lengthy rant ahead:

I have been in the market for a well crafted, comfortable fiver and my journey (which had me purchase and gig with Schecter, Carvin's, Kiesel, Ibanez, Warwick, Lakland, & Sire) has finally led me to G&L. Its crazy because, I too was led to find the L2500s to "clanky" given I could only rely on those god awful demos on youtube and yes @Rob Harrison, that highly offensive tone from the SBL video.

At any rate, I saw a 750 series at my GC and tried it out. I found it incredibly comfortable and "familiar" since I am a die-hard J and P kinda guy. Since I recently got used to controlling my tones better with the VVT on my J, I approached the L2500 with the same nuance and found it to be a treasure trove of tone (TToT) <--- I'm gonna trademark that lol!

Needless to say I bought it (okoume body in the awesome old school tobacco finish with rosewood board). I have done 5 gigs with it so far and just find it fits the bill in the variety of cover bands I play in. I then saw GC had the tangerine finish one in either basswood or alder, can't tell. But I bought it to A/B them and see which I like more. My 45 day return window is closing fast on the first one.

I find the Okoume to be physically heavier with more mids and a woofy bottom. You can run at 0% bass on that bad boy and get a useable tones. I also don't like that the fret board markings are a bit tougher to see in low light. But, the basswood or alder body L2500 is lighter, snappier and lets me more easily get high-fi slap tones needed on those top 40 wedding gigs. But 90% of the time I like my more mellow and pillowy stuff so I'm in a pickle.

At any rate, @Rob Harrison, is yours Alder or Basswood?

PS, I might DM you to ask about the K-mod as I will want to do that as well.
Hey! That’s quite the journey (& some lovely basses on the way!) congrats on landing on the G&L. Mine is Basswood, I’ll pop the spec sheet here.

Yeah any questions you’ve got about the K-Mod, feel free to DM & I’ll do my best to answer. Re: the brightness, I tend to find it mixes really well & rarely cut either the treble or bass tone. I do a lot of musicals too and I can mix with the strings when covering double bass parts (for example) reasonably well with the treble tone off and the neck pickup soloed.
IMG_6497.jpeg
 
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Not sure what the K stands for but its a switch that has another position which connects the pole peices in single coil, meaning only one row of the poles are in the cicruit. This provides you access to the single coil fendery sounds as opposed to the double-rowed series or parallel sounds.

Essentially, it makes more tones available to you in the vintage voicings of single coils.
 
Hey! That’s quite the journey (& some lovely basses on the way!) congrats on landing on the G&L. Mine is Basswood, I’ll pop the spec sheet here.

Yeah any questions you’ve got about the K-Mod, feel free to DM & I’ll do my best to answer. Re: the brightness, I tend to find it mixes really well & rarely cut either the treble or bass tone. I do a lot of musicals too and I can mix with the strings when covering double bass parts (for example) reasonably well with the treble tone off and the neck pickup soloed.
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Sweet! I have the same model im pretty sure. Although, I see on the website the Tangerine also comes in Alder body. Maybe thats for the next run or something. Either way, sounds great
 
Not sure what the K stands for but its a switch that has another position which connects the pole peices in single coil, meaning only one row of the poles are in the cicruit. This provides you access to the single coil fendery sounds as opposed to the double-rowed series or parallel sounds.

Essentially, it makes more tones available to you in the vintage voicings of single coils.
Thanks for clarifying! I don't know if my L-2000 needs more tones....
 
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Googling, it looks like S750 means the string spacing is wider. What's the K-Mod? Sorry for the newbie questions.
No apology needed! You’re spot on re: the spacing, 750 is 19mm rather than the usual 17.5mm. As Flacco said, K-Mod is where the parallel/series switch gets replaced for parallel/single coil/series, tapping one coil in each humbucker. Most people opt for the outer coils (which I did) but some choose the inners to get a Stingray tone. G&L do it as an option on some basses, but not the 750.