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G&L Love

About 8 months ago, I got it in my head that I wanted an L2500. I've only had one G&L my entire musical life, a Tribute L2000, and although it's long gone... I remembered certain qualities that I thought would be awesome to have in a 5 string.

Now, I just have to convince these guys to make 5 string versions of EVERYTHING they've got. Waddya say? If everyone on TB sent them a note asking for an ASAT 5, or a JB 5, an MJ5... an SB2.5! Maybe they'll get the message. It seems unfair that the 4+1 crowd only gets two models to pick from! Let's show them that we're ready for it!

Okay, enough rabble rousing. I just wanted to post about this here... I've been blabbing about it for weeks on my Bass Whisperer FB page, and figured it was time to spread some of my excitement for these newly found treasure over here.

Ed "discovers" Leo's last circuit... Raps on Ed's forehead with knuckles: HELLO! Where have you been? We've been trying to TELL you about this for how long now? :)

In My opinon G&L still needs to get the message. While they did produce a 5er that actually worked long before Fender got around to it, they are still WAY too conservative.

Hey, I've got a fretted and fretless USA L2500 (both blueburst...too cool) plus an au naturel Tribby L2500. They are my main 5er axes. Just do it all from bar bass (tribby) to any tone you wish (other pair). But I think G&L needs to not only discover that ALL these basses need the K-mod (and I install the OMG mode on a push-pull on the treble knob) but (and here is my rabble rouser) they need to start not only making everything in 5, but also start seriously thinking about making L2600 basses!

Sure 4s are very trad but 5 and 6 is gaining all the time. So why should I be reduced to playing my three SX 6 ers when what I really want is... Yeah I know designing a 6 string bass is a big manufacturing pain. You have to develop a new neck, new body neck pocket, new bridge, new pickups etc. You have to prototype and tweak the whole thing into max so you don't sell a dog and ruin the rep of your other lines. And then after all the work, 4 strings sell like hotcakes and 6ers move slow. But hey, tell them Ed, the hand writing is on the wall. An M2500 was a good first step into the modern world but Leo's last bass ain't gonna be done until those 6 string L2600s are coming out of G&L.

OK, sales pitch for new G&L business plan is over.
 
The L-2500 and M-2500 look virtually identical to me old eyes.

Can one of you compare and contrast them?

it's the pickups and electronics. the M-2500 has slightly underwound pickups and a 3-band 18-volt preamp (active only). while the L-2500 has hotter pickups, active/passive electronics, series/parallel switch, pickup switch, passive bass & treble cut controls.
 
The L-2500 and M-2500 look virtually identical to me old eyes.

Can one of you compare and contrast them?

L2X00: G&L's original Tri-tone circuit with Leo's MFD pickups, passive B/T controls, 3-way pickup selector, and series/parallel switching.

M2X00: Active B/M/T preamp with pickup blend and MFD pickups tweaked to enhance their series operation. No coil-switching options, no passive option.

The range of tones in the M basses is more modern - sparkly highs, sub-bass lows, vs. woolly highs and strong low-mids.
 
G&L needs to bring back the L-1000. All the meaty goodness of the L-2000 with no batteries!

They brought it back for a limited run a couple of years ago. They have all the specs and could easily start producing them. The only thing is they didn't have the reissues with the front load (so no metal plate). I really like the look of the metal plate and wish they would include them.
 
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Ed-
+1 Regarding the interest in expanding their models to include 5-string versions. I have recently been thinking about how I would JUMP if G&L were to make a JB-2 in a five string. Thank you for bringing this up and I look forward to hearing your reviews again.

There are so many choices for people hunting for P & J-inspired instruments, but G&L is doing great things at a much lower price.
 
I guess we can cut Ed some slack (no pics no bass) since he did post pics on his FB site. :) I wish G&L would change the headstock shape of their 5ers. It looks NOTHING like their 4 inline, which I love the look of.

I play and own at least a dozen basses, but my G & L is my primary bass. I'm not sure what the purpose of the pre-amp is in my 93 ASAT, but it sure cuts through drums and guitars.

And for me, always been a fan of the tele body style.

Blue

Here are some pics;
 
I too have fallen in love with G&L basses. I have a L2500 tribby that is so awesome! I use to play with 5 pedals and I have learned that I can get almost any sound I want out of the bass without effects. It is the best all round bass out there!!!
 
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The L & M are best friends! Different enough to own both.

So happy for you and your "discovery"! They really are the best thing Leo designed.
 
AFAIK, the preamp is just a boost circuit to give a bit more output and highend.

You are correct- newer G&L's have a three way pre-amp switch- plain old passive, active boost, and active boost with extra treble. Older ones, usually just passive/active boost.

The tone controls are cut only and are actually passive, so they work in any pre-amp mode.

There's a whole host of other options with the middle switch, but standard is parallel/series. Some old ones have single coil instead and you can get the K-option on new ones as mentioned earlier in this thread. This ads single coil so it's a three way.

The El Toro middle switch is the weird one. OMG mode on it is even more in your face, which I didn't think was possible!!!
 
Dear Ed,

I'm very interested in G&Ls. The whole line, more or less. The sooner I can see your videos, the better.

Also, I found your blues bass book at my local library the other day. I went through the whole thing. Good stuff.