a generic blues band can be very cool if done with passion & conviction.
little bit 'o soul helps, too.
little bit 'o soul helps, too.
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If you ignore the little things that make the song non-generic that is wrong IMO.There are many versions of blues standards, take Stormy Monday, there is the T-Bone Walker version and the Bobby Blue Bland version among others, same song, different chord progressions. No one way is the right way.![]()
By "generic" I meant they play everything as a straight up 8 bar blues - not cool IMO and the reason why the blues don't get no respect...a generic blues band can be very cool if done with passion & conviction.
little bit 'o soul helps, too.

BTW i never actually got around to learning "Mustang Sally" until today - the Wilson Picket (original?) version has a pretty cool beat to it and I'm going to try to sing lead on it too, I've never done more than sing harmony when playing before. The turnaround is interesting:
|gg -d -d -d|g g - d g d g g(flat)|fx|x x x x x b(flat) g e(flat)|(CC)
According the Wikipedia it was called "The Rising Sun Blues" in 1937 when first collected by folklorist Alan Lomax. But I suppose a title not a blues tune makesUmmm.
I would never consider HotRS to be a Blues tune. No blues band I ever played in did that tune.
Good song, but not even in the same realm as any kind of a blues tune. In fact calling it a blues tune betrays a certain lack of knowledge about blues altogether. No offense intended.
Wilson Pickett's was the 3rd version of Mustang Sally.
The original is by Sir Mack Rice as follows
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+1According the Wikipedia it was called "The Rising Sun Blues" in 1937 when first collected by folklorist Alan Lomax. But I suppose a title not a blues tune makes. Lead Belly did record it (as an 8 bar) but most of his tunes were arguably folk and not blues. I suppose it's all about how narrowly or broadly you define "Blues" vs bluesy tunes. Some good reading:
http://en.wikipedia.org/wiki/Blues
..."Mustang Sally"... The turnaround is interesting:
|gg -d -d -d|g g - d g d g g(flat)|fx|x x x x x b(flat) g e(flat)|(CC)
You highlighted the g(flat) - dunno if you are trying to say that is not the right note or that it should be written as an f#? If the latter it is the diminished fifth (AKA "blue" note) so g(flat) is proper AFAIK. In my own charts I write it as a gb but that is confusing if you can't make the "b" small - but I guess you can hereYou're fired!![]()
You highlighted the g(flat) - dunno if you are trying to say that is not the right note...
I'll check it again next time I'm playing along - my charts tend to be works in progressI'm pretty sure there's no g flat aka f#
More like g g f, but I think it's a f_g slur/hammer on for the g's, like
f_g f_g f
Hopkins told him "lightning change when lightning wanna change."