• TalkBass has been independent since 1998. Add your voice.
    Create a free account to reply to discussions, view embedded media, and browse with fewer display ads.
    Join freeLog in
    Want zero display ads or expanded classifieds tools? Compare plans.

GK versatility

BTW, after thinking about it, if I make a change in tone on my rig, I don't know that I want the soundman to be making changes to it. Of course, he has to do what needs to be done to save me from myself, but if I think a part of a song needs a tonal change, I don't necessarily want the soundman correcting it. But again, you have to do your best to match levels and get something that's not totally out of left field, and it's a good idea to warn them that you'll be stomping on pedals and you might occasionally need a tweak.
 
Little changes ... that's why there isn't an auto pilot on most boards...

Last time I was running a serious effects setup, I ran it through an F2B - that way I could gain balance and do a rough EQ adjust - any EQ adjust with an F2B is kinda rough ;~) So when I went for that alternate 'texture' (Envelope, EQ, Octave and sometimes a little grit) I could manage the 'patch' down the one DI line I was using. I sent the summed like to a GK 1001 RB II as my stage rig as I wanted to hear the effects up close. Kind of a gucci way to approach a 2 into 1 mixer but hey its TOOBS! I kid, but it really did work very well in that application.

If someone is really serious about the effects then a second DI line is really the approach IMO.
Glad you brought this up. I've discovered that if I run a clean/dirty setup with two lines, they never turn on the dirty line :scowl: So I just use pedals that sound good without needing a blend and run one line...but I am extremely good about levels and usually err on the side of being too quiet so nobody gets too mad.

Uncle Ben Parker said it best...with great power comes great responsibility.
 
Well right now my only effects are a Boss ODB-3 and a little Danelectro compression pedal. Whenever I run my Boss, I just run from my instrument, to the pedal, to my input, and when I do this, I make sure there are no volume jumps. Is this a poor way of doing it?

I'm really trying to get a reggae Ampeg kind of sound, if that helps.
 

Latest posts