Seems like they already started to meI wonder how long it will be before the used market starts gouging people with the prices of G&Ls....?
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Seems like they already started to meI wonder how long it will be before the used market starts gouging people with the prices of G&Ls....?
I bet the G&L folks shared this opinion.. and well.. how did that pan out..I’ve never heard so many people complain about headstocks more than people on here. I think people are either too bored or spending too much time on bass (sites). Go out and smell the flowers for goodness sake!
How poor was the product at the end, really? The Fallout Bass was a pretty late addition and is pretty widely renowned as a solid choice in the short scale space. The Tribute series in general had a reputation for quality for the price that persisted until the end. I think they were actually quite competitive with Fender on the price to quality aspect.About 3/5 guitars, and 2/5 basses, A.K.A. "60:40."
Yes; the company was slowly but surely run into the ground over a period of about 27 years.
It was pretty much managed OK when the elder McLaren was the main guy, in the early to mid '90s. He was no Leo Fender, but he knew what he was doing, and was generally well respected in the industry. His sons are the ones that were handed something that could have been awesome, but instead, totally wasted the company.
You can maintain a profitable business with low demand, if you maintain your reputation for a quality product, for being a great company to deal with, and run your business smartly, tailored to the scale of your production. The McLaren brothers pushed and pushed to "expand" when there was no market for expansion, and never would be. They kept treating Fender's as the market they were after, when the market they needed was actually more akin to the music Man market, or even Suhr or Anderson. When this continuously failed, they continuously cut costs. The quality of their components at the end was embarrassing, and their customer service went to hell decades ago – yet they were charging more than ever for their mediocre products. You'd think that at some point they would have realized that contraction, a focus on quality and customer service, and recognizing and responding to the market that was actually there, instead of trying to manipulate it in to something it wasn't, would have become the obvious path for a smart businessperson to take. They were not smart business people.
Fender has acquired the name but not the factory apparently. The future may not look so gloomy depending on what they want to do with the brand if anything. At the very least, the intellectual property rights to Leo's name is safely back at Fender. I wouldn't be surprised to see them revive some G&L models in the future. What is REALLY sad however is Leo's office, tools, everything in there has basically been thrown in the trash or discarded like useless clutter from some pictures I've seen. It's literal history and no one thought to preserve this stuff after they closed?!? I don't get it at all.I'm surprised that no one has acquired the company and made the necessary changes to make it profitable.
2nd ugliest.
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This one is pretty up there for me too:
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I would legit probbably order one if not for thier bass headstock options on their J model... They make incredible looking (and from what ive heard playing) instruments, but i dont like the pointy headstock on a J style bass and i dont like whatever that is as the alternative that comes stock with the P and J and more classic styled models.Kiesel is the first one for me. Sheesh.
They always had some of the best finishes.
Normally I’d be in sync with you there, but the brand itself wasn’t generating enough buzz even when they were aroundWhat I want to know is, will they ever reach the collectible cult status of pre-CBS Fender?
The first G&L's are what, 45 years old now... so what's a all-original first-run L-1000 gonna' run us in say... 2040?
Should I buy about 5 now and stash 'em?
Yeah, very good point! You sure got me there. I guess Sire will go bankrupt next!I bet the G&L folks shared this opinion.. and well.. how did that pan out..
at least Kiesel lets you opt out!2nd ugliest.
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This one is pretty up there for me too:
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Is sire an unpopular headstock shape?! I don't find anythign particularily offensive about it, nor do i frequently (or ever) see anyone complain about it. Its not my favourite but its fine, if anything i don't like that all the basses say Marcus Miller on the headstock but thats something i personally dislike on any instrument thats a signature instrument let alone a whole line, but that doesn't really have to do with the shape.Yeah, very good point! You sure got me there. I guess Sire will go bankrupt next!
I've owned probably 9 different L2XXX basses over the past twenty years and they've always found a different home. I keep thinking I'm going to get another one and keep not doing it.Regarding used price gouging - I think as a percent of market share nobody wanted them when they were alive. Nobody will want them after their passing. There just isn't a Jaco, Steve Harris, Geddy Lee, etc out there belting out cool music on an L-2000. There's a reason for that.
Pretty damned poor, compared to how they had been in the past.How poor was the product at the end, really? The Fallout Bass was a pretty late addition and is pretty widely renowned as a solid choice in the short scale space. The Tribute series in general had a reputation for quality for the price that persisted until the end. I think they were actually quite competitive with Fender on the price to quality aspect.
I personally think it was the marketing where they failed. They could have abandoned the headstock that so many people said was ugly years ago. They could have come out with more cool P and J bass colorways, but they stayed super conservative. In general, they really struggled to be perceived as cool as Fender, especially for the last 10-15 years.
