... and I'm really glad that it does.
Hey everybody,
Ding-dong goes the door bell and there's the FedEx guy with a bass case. Yep, I could tell it was a bass case alright.
That's exactly as it was delivered to me.
I signed my name on the electronic gizmo, thanked the guy, shook my head and sent him on his way with me saying something like, "You'd think that they might have put it in a box." heh.
A fair amount of packing tape was applied directly on the case, along with the address paper and a few shipping stickers.
I wasn't irked too much because it got here in pretty good shape, and after few minutes, I began to think about old luggage and how that old base case is essentially luggage too.
It's an old case...and sure enough, there's an old bass inside.
It's an Epiphone ET-285.
How I came about this thing was because I have been looking around for good, used cases so that all my basses would have one and I can get rid of some the ratty gig bags that I have.
While I was looking around for prospects, I ran across this cool old case that just happened to have an Epiphone bass included. Then I noticed that it wasn't listed properly.
I waited and put in my offer and I got it for 130 bucks.
I wasn't looking to buy this bass, but I thought..ok, I'll keep the case, sell the bass and come out ahead with a free case and probably make a few bucks.
Problem with that scenario is..this Epiphpone is really nice.
This bass is really clean in its fit and finish with a very nice factory nitro lacquer sunburst paint job and 34" scale.
I had read about these and some people liked them..some think they're early 70s crap -junk- pawn shop stuff like what was coming out of Japan back then. This one ain't one of those.
The same people that made the good Aria Pro II, Westone, Washburn, Electra..etc. instruments, made this bass for Epiphone from '72 to '79..er. something like that. My first bass was an Aria Pro II CSB-380 and it was a really nice little bass...still is.
It was made at Matsumoku plant in Japan.
This is an early one from what I can tell. It has the early pickups without the pickup rings and the old original knobs.
First things first..does the truss rod work? Yes, and quite nicely after I removed the truss rod nut, cleaned it and smoothed it up with some 000 steel wool..applied some Johnson's wax to it and on the threads. Smooth operator now.
The bridge pickup wasn't working so a checked the resistance with a meter and it was reading zip. I de-soldered the wires from the circuit then put the meter on it...yep..9.3K or there abouts. hmmm..I soldered back in and it worked..must of had a wonky solder joint.
Deoxit-ed the pots and selector switch, cleaned the bling, Mean Greened the really nice, but funky-dirty Brazilian rosewood board and sealed it with a light coat of boiled linseed oil. Disassembled the tuners..cleaned and lubed. Cleaned the body and neck..gave it a coat and buff x 2 with Johnson's wax. I strung it up..tweaked the truss rod a couple of times..set the action...intonation..attached the last of the little stuff and plugged it it.
I'm here to say that this bass is a pretty nice instrument. The action is low and will be able to be lowered further after a small amount of of fret leveling . possibly a small amount of neck shim and take about a 32nd off the nut to lower the string height on that end of the neck
It has its original frets that are in really good shape thanks to the flatwounds that this bass has probably worn for all of its life.
It's not heavy..it's balanced well..and it sounds good. It really does.
It has an above average feel of real quality for that era too. The neck is a bit chunky, but that's not a big deal to me.
So, I got a really cool old bass case that I had been looking for...and a great bass thrown in too.
It was a good day..
yep...
rattle...rattle.
Hey everybody,
Ding-dong goes the door bell and there's the FedEx guy with a bass case. Yep, I could tell it was a bass case alright.
That's exactly as it was delivered to me.
I signed my name on the electronic gizmo, thanked the guy, shook my head and sent him on his way with me saying something like, "You'd think that they might have put it in a box." heh.
A fair amount of packing tape was applied directly on the case, along with the address paper and a few shipping stickers.
I wasn't irked too much because it got here in pretty good shape, and after few minutes, I began to think about old luggage and how that old base case is essentially luggage too.
It's an old case...and sure enough, there's an old bass inside.
It's an Epiphone ET-285.
How I came about this thing was because I have been looking around for good, used cases so that all my basses would have one and I can get rid of some the ratty gig bags that I have.
While I was looking around for prospects, I ran across this cool old case that just happened to have an Epiphone bass included. Then I noticed that it wasn't listed properly.
I waited and put in my offer and I got it for 130 bucks.
I wasn't looking to buy this bass, but I thought..ok, I'll keep the case, sell the bass and come out ahead with a free case and probably make a few bucks.
Problem with that scenario is..this Epiphpone is really nice.
This bass is really clean in its fit and finish with a very nice factory nitro lacquer sunburst paint job and 34" scale.
I had read about these and some people liked them..some think they're early 70s crap -junk- pawn shop stuff like what was coming out of Japan back then. This one ain't one of those.
The same people that made the good Aria Pro II, Westone, Washburn, Electra..etc. instruments, made this bass for Epiphone from '72 to '79..er. something like that. My first bass was an Aria Pro II CSB-380 and it was a really nice little bass...still is.
It was made at Matsumoku plant in Japan.
This is an early one from what I can tell. It has the early pickups without the pickup rings and the old original knobs.
First things first..does the truss rod work? Yes, and quite nicely after I removed the truss rod nut, cleaned it and smoothed it up with some 000 steel wool..applied some Johnson's wax to it and on the threads. Smooth operator now.
The bridge pickup wasn't working so a checked the resistance with a meter and it was reading zip. I de-soldered the wires from the circuit then put the meter on it...yep..9.3K or there abouts. hmmm..I soldered back in and it worked..must of had a wonky solder joint.
Deoxit-ed the pots and selector switch, cleaned the bling, Mean Greened the really nice, but funky-dirty Brazilian rosewood board and sealed it with a light coat of boiled linseed oil. Disassembled the tuners..cleaned and lubed. Cleaned the body and neck..gave it a coat and buff x 2 with Johnson's wax. I strung it up..tweaked the truss rod a couple of times..set the action...intonation..attached the last of the little stuff and plugged it it.
I'm here to say that this bass is a pretty nice instrument. The action is low and will be able to be lowered further after a small amount of of fret leveling . possibly a small amount of neck shim and take about a 32nd off the nut to lower the string height on that end of the neck
It has its original frets that are in really good shape thanks to the flatwounds that this bass has probably worn for all of its life.
It's not heavy..it's balanced well..and it sounds good. It really does.
It has an above average feel of real quality for that era too. The neck is a bit chunky, but that's not a big deal to me.
So, I got a really cool old bass case that I had been looking for...and a great bass thrown in too.
It was a good day..
yep...
rattle...rattle.
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