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harmonic mute?...

patlozrox

Guest
Apr 10, 2012
165
5
Munster, Indiana
Disclosures
Losiniecki LED Customs (My own company)
Okay, so my band and I had practice today and we are playing in Drop-D, I noticed that when I play in any tuning where there are two strings with the same note, I start to catch octive harmonics. Is there any way where i can stop that, because I play too fast to mute with my other fingers. I noticed that on some Stingrays, the bridge has small peices of foam that mute to solve this very problem. Is there anything like that I can do without effecting the actual sound of my bass?
Thanks everyone...

Rock on!!!!!
4 STRINGS 4 LIFE!!!!:bassist:
 
You need to talk to your teacher about proper muting technique. The "floating thumb" right-hand technique is the most popular these days, but you should also learn proper left-hand technique as well.

Basically every string you're not actively playing should be muted by one or both hands.
 
I don't think mutes are going to give you the results that you expect as they are definately going to change the sound. You need to find a technique of muting the other strings with your hands that works for you. Not sure if the quip about the teacher was a joke or not, but take it from someone who has never taken a lessen and has played professionally for over 30 years, not everyone needs someone else to tell them how to do it...
 
i dont know if we got it easy or hard.

guitars players use distortion alot, and muting and technique is even more important. they play fast too.

dont find a crutch...work on technique...
 
Technique with muting strings helps. When I switched to fifths tuning, I noticed that an open string made the rest of the strings go off a bit too. I sometimes mute the unused strings with my left hand, but I've found the simplest solution to be a hair tie at the nut. I usually see it used to mute open strings when tapping, but it helps damp those sympathetic vibrations too.
 
Drop D = 4 string, I assume. I anchor my thumb somewhere generally an play with my index and middle finger.

Notes on the E string, the others are muted by my left hand.

Notes on the A string, my right pinky anchors on the E and left hand lays across D and G as it frets notes on the A.

On the D string my right ring finger anchors on the A in addition to the above while my left hand and fingers lay across the the G.

When I am playing notes on the G string my right pinky is already anchored on the E string, ring finger on the A, I am playing notes on the G but the finger that is not playing at the time is pulled off intonate the D string muting it. My playing fingers alternate muting and playing duties.

Add a B string and nothing changes, because the right thumb shifts its anchor point to the B string if I am not playing it.

I can play very fast this way. It kinda happened naturally as I was learning to play bass because I wanted my strings to only vibrate when I was playing them.

I have videos on my YouTube channel (Watsontbass). You could probably see there what I do. Like I said it was a pretty natural solution for me.
 
Technique with muting strings helps. When I switched to fifths tuning, I noticed that an open string made the rest of the strings go off a bit too. I sometimes mute the unused strings with my left hand, but I've found the simplest solution to be a hair tie at the nut. I usually see it used to mute open strings when tapping, but it helps damp those sympathetic vibrations too.

I actually tried that, it worked really well. Thanks dude. And just so everyone is clear right here and now, I CAN'T take ;essons at the moment because I recently started living on my own and can't spare the cost. And also I'm not looking for a crutch by using a mute, I simply just wanted to find a quick fix for the problem until I CAN pay for lessons. I only want to take enough lessons to make sure my technique and all is in shape, but after that, I am not taking anymore. I appreciate the tips though everyone. Thanks...
 

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