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Help me identify this color (Green Fender Journeyman content)

Which color do you prefer on a P Bass with matched headstock?

  • Sherwood Green

    Votes: 65 70.7%
  • Olympic White

    Votes: 27 29.3%

  • Total voters
    92
Hi guys,

I have comissioned a luthier to build me a P Bass and gathered a lot of mood pictures to decide what color it should get. I pretty much have nailed it down to the green in the picture, but absolutely can not find the source.

I believe it's a Fender Custom Shop 59 Journeyman, but is this really Sherwood Green or something else yet very similar?

If you could be so kind and help me with this, I will shout out prayers to each and every one of you once the NBD will take place.

Also: What do you prefer? Sherwood Green or good old (maybe boring?) Olympic White?

IMG_7760.JPG


For comparison: This really is Sherwood Green the way I know it...

Sherwood Green.jpg
 
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The two pics are the same color. The difference in perception owing to light source wavength is called.......

Metameric failure[edit]
The term illuminant metameric failure or illuminant metamerism is sometimes used to describe situations where two material samples match when viewed under one light source but not another. Most types of fluorescent lights produce an irregular or peaky spectral emittance curve, so that two materials under fluorescent light might not match, even though they are a metameric match to an incandescent "white" light source with a nearly flat or smooth emittance curve. Material colors that match under one source will often appear different under the other. Typical example is inkjet proof for printing press. At 5000K color temperature the metameric error is negligible.[1]

Normally, material attributes such as translucency, gloss or surface texture are not considered in color matching. However geometric metameric failure or geometric metamerism can occur when two samples match when viewed from one angle, but then fail to match when viewed from a different angle. A common example is the color variation that appears in pearlescent automobile finishes or "metallic" paper; e.g., Kodak Endura Metallic, Fujicolor Crystal Archive Digital Pearl.
 
That looks like Sherwood Green with a yellowed clear coat. That's what Sherwood Green turns into over the decades. Notice that it is not only darker, but more warm.

The bottom pic has clear clear, which is what Sherwood Green looks/looked like when new.

Also, the variables between the two photographs are not accounted for. The bottom picture has a cooler color balance, just to my eye (I'm a professional photographer specializing in copy work for my living, so stuff like that is easy to see due to lots of practice). And it is lit more flatly, and exposed/adjusted more darkly.

Much better color with a yellowed clear coat IMO. Factory fresh Sherwood Green is pretty boring, flat, and shallow. It becomes more rich, dramatic, and deep as it ages into a darker, truer green.

As a [possibly] interesting point of trivia, Sherwood Green was the only metallic color in the Fender catalog that used nitrocellulose lacquer for the color coats. All the other Fender metallics used acrylic lacquer color coats (with nitro clear over them). A related note is that Olympic White was the only non-metallic that used acrylic color coats (not nitro).
 
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Hi guys,

I have comissioned a luthier to build me a P Bass and gathered a lot of mood pictures to decide what color it should get. I pretty much have nailed it down to the green in the picture, but absolutely can not find the source.

I believe it's a Fender Custom Shop 59 Journeyman, but is this really Sherwood Green or something else yet very similar?

If you could be so kind and help me with this, I will shout out prayers to each and every one of you once the NBD will take place.

Also: What do you prefer? Sherwood Green or good old (maybe boring?) Olympic White?

View attachment 3958226

For comparison: This really is Sherwood Green the way I know it...

View attachment 3958227
I like both colors and don't think you can go wrong whichever one you choose. HOWEVER, I have an Olympic White '82 Jazz that has mellowed to a cream color over the last 35 years that I wouldn't trade for anything. So I am predisposed to Olympic White. Mine has white pickguard, white pickups, and white strat-type control knobs. She looks great and sounds even better:
WhiteLadyOutside2.jpg


Go with the Olympic White.
 
Personally, I love Sherwood Green. At the Dallas Vintage Show, I once saw a matching set of a PBass, Strat, and Jazzmaster in SG, matching SG heads, and white pickguards and pickup shells. Stunning.

But I am here to testify, my brothers and sisters, that you only ever buy ONE green guitar IF YOU MUST, because afterwards, you can not GIVE then away. It will become your 'keeper' because you'll be stuck to it like the Tar Baby.

Pay Heed and Do Not Proceed !

Oly White is great !
 
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