Just last week I added a hollowbody (Epiphone Casady) to my arsenal and took it to a gig with my band, a 5-piece instrumental group that's not earth-shatteringly loud, but not quiet by any means. Because we have no vocals, we don't tote a PA and use our ears and amps to get the room sound right. Our guys are all experienced enough that this works pretty well for the venues we play.
Even with its partial-center-block design, I was getting some awkward howls from time to time, especially on songs in flat keys. Working against me is the fact that on normally-cramped stages I have to play standing right in front of my SVT and 810. I love the tone of the Casady and really want it to work for live use.
What techniques, in terms of stage positioning, playing technique, and amp/instrument eq'ing, have you hollowbody players developed for getting maximum volume with minimum feedback? Obviously left- and right-hand muting of open strings is necessary to check those runaway sympathetic vibrations, but what about the howls?
Even with its partial-center-block design, I was getting some awkward howls from time to time, especially on songs in flat keys. Working against me is the fact that on normally-cramped stages I have to play standing right in front of my SVT and 810. I love the tone of the Casady and really want it to work for live use.
What techniques, in terms of stage positioning, playing technique, and amp/instrument eq'ing, have you hollowbody players developed for getting maximum volume with minimum feedback? Obviously left- and right-hand muting of open strings is necessary to check those runaway sympathetic vibrations, but what about the howls?