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How do you manage to schedule gigs?

And let's be fair....without stepping on anybody's toes that is a professional sub.... the show is not the same with a sub. There's not the same energy and fans that know the band see and know the difference. Relying on subs on a regular basis doesn't seem to work too well IMHO. The bass player is probably the most switchable without the music suffering....and maybe the drummer next. But there's always some level of compromise with a sub.

I'd rather keep the band intact and effectively schedule gigs, than deal with subs all the time. Again, this is all my opinion speaking for someone in a weekend warrior cover band with 35-40 dates a year. YMMV

And if it's a band which focuses on originals, thus making it much more of a time-consuming deal when it comes to subbing, avoiding conflicts requiring a sub was always our main focus, because people showed up expecting THE BAND - not 2 members plus a couple of subs. That's another dynamic people have to consider with how they want to run things. Are you selling the band as a faceless unit, or are the band members as people and 'voices' and styles integral to how the band is marketed.
 
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Hi
Am wondering how people here manage there gigging schedule with them and there bandmates.

I am in a band and we have done a couple of gigs but it's turning into a minor nightmare trying to agree dates that everyone is available, half of this month is booked up as holiday, most of August also booked up as holiday.

We have already turned down a few gigs in the past couple of months due to people being away, am wondering how other bands manage it this time of year when everyone is booking there holidays.

Thanks
Google Calendar and every band member has access. Very easy.
 
When I was gigging the assumption was: you are available unless you block out dates on google calendar.
Even so, we did always group text confirming availability.

I prefer cats that heard themselves.

half of this month is booked up as holiday, most of August also booked up as holiday.
Most bands I knew that were busy were not booking "this month" or "next month".
They generally were booking 1-2 quarters ahead. By June they had typically booked their new years eve gig.
 
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Regarding August, my bands don’t do many gigs then. I might have one August gig between four bands. Not only are members often away, a decent amount of our usual crowd is away as well. I don’t expect much gig activity, or even rehearsals, until September.
 
Hi
Am wondering how people here manage there gigging schedule with them and there bandmates.

I am in a band and we have done a couple of gigs but it's turning into a minor nightmare trying to agree dates that everyone is available, half of this month is booked up as holiday, most of August also booked up as holiday.

We have already turned down a few gigs in the past couple of months due to people being away, am wondering how other bands manage it this time of year when everyone is booking there holidays.

Thanks
Let the singer do the work. Reply "available" or "not" as the dates come in and then go about your bizness.
 
Hi
Am wondering how people here manage there gigging schedule with them and there bandmates.

I am in a band and we have done a couple of gigs but it's turning into a minor nightmare trying to agree dates that everyone is available, half of this month is booked up as holiday, most of August also booked up as holiday.

We have already turned down a few gigs in the past couple of months due to people being away, am wondering how other bands manage it this time of year when everyone is booking there holidays.

Thanks
Let me say that in my area, unless I'm subbing-in, the lead time or timeframe to schedule gigs is usually 5 months or (usually a lot) more, and almost never less, unless there's a last-minute cancellation or a cancellation that occurs in less than a 5 month timeframe before a gig. So given that lead time, in some ways it is easier to see if people are available to do a gig or to find gig dates. In my experience, the kinds of things that might compete with that kind of long-range planning are weddings, vacations, big sporting events... the kind of things one tends to put on a calendar 5-6 months or more before the date and are stable... which in turn helps me be able to make musical commitments 6-12 months in advance.

It IS a challenge to get people scheduled and lined up to do a gig. It takes someone to spearhead getting planned and tentative blackout dates, booked dates, free dates and to almost doggedly keep up on that, and to receive the same commitment as much as possible from the other bandmates to be doggedly determined to communicate that information and those developments as much as possible, as soon as possible. ALL parties have to make a commitment. A shared commitment of shared information and in this case, the band is certainly only as strong as its weakest communicative chain. That part takes a LOT of work and often incredible persistence and eye on details practices by EVERYONE.

Summer months if not planned correctly or early enough can really be hard to get people free for a gig. At a certain point they have kids, family or other obligations as well as opportunities without school schedule to do some things. It's a double-edge sword: Summer months can be full of musical opportunity, but also challenge of people trying to take advantage specifically of non-musical activity in the summer months in a way they don't or can't for the other 8-9 months of the year.

I don't know in your case but it's my suspicion that either: people's schedules (and sometimes all it take is ONE person to unfortunately turn down a gig due to unavailability) were not known well-enough in advance to be able to offer clubs or whatever target dates of full availability, or maybe that longer-term information was known but the gigs that became available were coming up too quickly to move things around to do the gig- the last minute (or relatively) gig or short order chef phenomenon.

It's not exactly clear your band's methodologies and priorities and what the lead times for gigs normally are and other details so it's hard for me to comment further.

If you're asking about specific methodologies, techniques and so on to capture, retail and update schedules like with Google Calendar and so on, that's a different response, but I'm not sure you're asking about that. Maybe you are.
 
had a BL that was in 4 groups, I was in one of thiers and one other that played infrequently. I opted out because I was was tired of losing gigs to dous, trios, and tribute acts. The infrequent band ended out being just what the doctor ordered. As for scheduling... the infrequnt used google calendar. Admittedly, we lost long time, good paying festivals, that we had a foothold on due to "family holidays".

You can't overdose on good music and fun.
 
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Hi
Am wondering how people here manage there gigging schedule with them and there bandmates.

I am in a band and we have done a couple of gigs but it's turning into a minor nightmare trying to agree dates that everyone is available, half of this month is booked up as holiday, most of August also booked up as holiday.

We have already turned down a few gigs in the past couple of months due to people being away, am wondering how other bands manage it this time of year when everyone is booking there holidays.

Thanks
It's never a nightmare, or even a headache, if every member realizes that a paying band is also a business (and if good enough, at least a second income). Good players are a dime a dozen, but certainly not the ones that are also committed, and especially, professional and mature team players that aren't egotistical asshats when hanging out together.
 
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My band mates are all in our 50's. We have family, and other hobbies. I have no interest in taking any gig, at any place, any time. I want to play once a month. Maybe twice. Gig schedules vary from 2 moths with 5 gigs to 2 moths with zero.

If you want to play every weekend, wrong band.

If you want to complain about lack of gigs
a) Go find one or hush.
b) See "wrong band"

The key is finding people UP FRONT that are on board with the deal. Nothing makes more chaos and unhappiness than a person who want to play originals two nights a week vs another member who wants all covers once every month.

And yeah - we keep a calendar and update it often. ONE person books the gig with the contact.
 
Google calendar and a group chat. Everyone keeps the calendar updated with their conflicts, at least on likely weekend dates. When an opportunity comes up, the booker floats it on the group chat to confirm everyone's available, but when they're having the preliminary discussion with the venue they've already got the calendar saying the date should be free.

Apart from that... if band members want to gig, they need to actually prioritize it in their schedules. If your busy schedule is keeping a band from gigging that wants to gig, you should probably quit the band.

Besides all of which, this is all a good reason to either keep the band small (three or four people), or in a large band, to have a "depth chart" of players so subs can be contacted readily if the #1 isn't free for a booking.
 
Yeah, that's what you have to have. The person who is booking the band can't contact every member every time a possible gig comes up. However, it needs to start with everyone being on board, on the same page, with how often they want to gig and be willing to utilize the band calendar. A band calendar is vital.
Why not? I'm in a 6-piece band, and absolutely contact every member before we add a gig or rehearsal. We just started doing a shared calendar, so it's fairly easy to pick reliable dates.
 
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We have 3 people who have commitments elsewhere and these can run to months.
This means we will go to a 7 into 5 band swapping around a key...show stopping..singer.
In practice this means we'll likely swap female vox/keys for male vox/keys.
That will really make it 2 bands as we swap around female songs for new male songs.

Exciting. It is what it is because good people get good offers
 
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