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How many bands of EQ do you prefer?

What is you EQ band preference?

  • 3 band

    Votes: 22 30.1%
  • 7 band

    Votes: 6 8.2%
  • 12 band

    Votes: 6 8.2%
  • 16 band

    Votes: 1 1.4%
  • Other?!

    Votes: 31 42.5%
  • 4 band (added due to popularity in the thread)

    Votes: 7 9.6%

  • Total voters
    73
For guitars 3 is more than enough. My orange terror amp has one tone control and gives me what I need from it.

For bass I'm happy with the four band on my amp. I've been eyeing up a boss geb7 for a while now as I have a spot on a boss pedalboard to fill, but I can't bring myself to be excited by it, it surely can't do a lot for my sound that my amps controls can't except in the couple of bands between 500 and 10k....

I tend to only tweak my low and high mids from noon.
 
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It depends on the application.

Bass and treble is usually enough, a mid is gravy. I just want to make a sound. Amps that have a graphic EQ I set and leave or bypass it if that option is available. I like simplicity because EQ can suck tone out of the signal chain.

Mixing is a different story. That's where parametric EQ's come in handy to deal with noise and enhance the tonal palette.
 
Like DavC said, where the controls are doing their job is (freq and q/width) important too.

I like 4 bands that include two para or semi-para mids.

After a certain point you have to wonder if an amp maker added more bands to be flexible, or because the amp needs them (too thick of a baked-in tone).
 
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I prefer shelving bass and treble with an additional 3 fully parametric bands. So many guys are put off by parametrics---it's a not-so-steep learning curve. Once you're used to it--you won't want to live without it. Especially as a bassist. Our interaction with the room IS our sound. Some of that interaction is funky. With a parametric you tame only the offensive stuff. or use a wide "q" to do general shaping.

Oh---and a good HPF is really useful. Not just a HPF---a GOOD one. One that you can't tell if it's in or out---unless you look at the cone and the excursion is a fraction of what it was without the HPF.
 
I prefer shelving bass and treble with an additional 3 fully parametric bands. So many guys are put off by parametrics---it's a not-so-steep learning curve. Once you're used to it--you won't want to live without it. Especially as a bassist. Our interaction with the room IS our sound. Some of that interaction is funky. With a parametric you tame only the offensive stuff. or use a wide "q" to do general shaping.

Oh---and a good HPF is really useful. Not just a HPF---a GOOD one. One that you can't tell if it's in or out---unless you look at the cone and the excursion is a fraction of what it was without the HPF.

Quick aside, what is a HPF that you would use? (Brand/model)
 
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Two. I like to keep the mids as natural as possible, finding the right bass and cab, not goosing or cutting frequencies.

I like more top end than a flat eq provides, and I need to be able to tame or boost the bass for the room, so just bass and treble for me, thanks.

If I really need to boost or cut mids, that can be achieved by cutting or boosting both bass and treble respectively.
 
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Quick aside, what is a HPF that you would use? (Brand/model)

Ummm---I didn't say that as a marketing tool. I don't know of the various HPF's available---only a couple. To me--they did what they were supposed to but the sound was compromised as well.
Now it's not a commercial product yet, but my eyes were opened by the HPF that Sonic Farm guru Zoran came up with.(on their new bass amp--which I am involved with). All of a sudden my 110 cab (with the hpf engaged) went as loud before fartout as my 112 (without a hpf) And the low end was punchier with much better impact. Makes sense--by removing the unwanted subsonics, your amp and speaker can do what they need to do.
 
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