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For 40 years or so, most of them professionally, I had one bass at the gig - a Precision. It never let me down. Now I take a back-up simply because it’s quicker to grab it than it is to change a string, but so far I haven’t needed it.I’m mostly a recording hobbyist, but a songwriter I respect asked me to play an extended set with him, and I jumped in. I’m having a great time woodshedding the material. Feeling some rare musical fulfillment.
First few times running through the material, I was on my go-to P with flats, but pretty quickly one tune started to beg for the fretless. So I got that locked in; sounds good.
And then another—90’s R&B vibe in A-flat—really wanted the 5-string with rounds. Done.
Last night, as I was packing up the 3 basses for today’s rehearsal, I thought “Am I insane?” I want to get the perfect sound for each song, but am I going to look ridiculous up there? Like I’m in an 18-song flex all about myself?
It was shortly after that thought that I decided to refresh myself on something real quick and, with the P packed up, I just grabbed the Mustang off the wall and…smh…now I need to have that sound (Mustang, La Bellas, foam mute) on this one song.
Is 4 basses over 18 songs a ridiculous look? Will I hate myself at the end of the night—or more specifically, will my 55-year-old back hate me? For you guys, what’s the most basses you would bring to a gig?
Well you can do like Geddy did and bring a truckload of basses and play them all for a song and swap back and forth. Lol but seriously though, bring the fretless because if you want that twangy muahh that's what it takes. For the rest I'd say either the mustang or the pbass. They both seem like they can almost copy each other and do what the other does. Keep in mind that the venue and what your ears tell you during soundcheck is going to be what dictates the eq and all that. It's not like being in studio and twisting knobs trying to get takes. It's live entertainment and the focus is going to be on getting a good sound that's going to work for the whole show. The rest is all getting that audience following along and up out of their seats. Go have fun and don't worry about what eq for what part. The audience just wants you to get into it and jam along with the rest of the band.I’m mostly a recording hobbyist, but a songwriter I respect asked me to play an extended set with him, and I jumped in. I’m having a great time woodshedding the material. Feeling some rare musical fulfillment.
First few times running through the material, I was on my go-to P with flats, but pretty quickly one tune started to beg for the fretless. So I got that locked in; sounds good.
And then another—90’s R&B vibe in A-flat—really wanted the 5-string with rounds. Done.
Last night, as I was packing up the 3 basses for today’s rehearsal, I thought “Am I insane?” I want to get the perfect sound for each song, but am I going to look ridiculous up there? Like I’m in an 18-song flex all about myself?
It was shortly after that thought that I decided to refresh myself on something real quick and, with the P packed up, I just grabbed the Mustang off the wall and…smh…now I need to have that sound (Mustang, La Bellas, foam mute) on this one song.
Is 4 basses over 18 songs a ridiculous look? Will I hate myself at the end of the night—or more specifically, will my 55-year-old back hate me? For you guys, what’s the most basses you would bring to a gig?