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how show ready is your battle axe?

constant bass tuning on stage


  • Total voters
    62
Hi idorky :)

I’m still trying to understand the options to select :bookworm:

Yep! The poll was a hard nut to crack! :D

I tried to cheat after reading the first option. Went to the bottom => no carrots :(,

then to option #2=> still nothing!

Option #4? I can understand that one!!! :hyper::hyper::hyper:

going along with the guitxxd so he wont be alone?

But no! My guitarist doesn' t play Gibson! :D

Finally! Option # 3 "Break for carrots"????? :rollno:

We break for nobody!!! :D

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Not even for carrots! :laugh:

greetings

Wise(b)ass
 
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I'm really starting my day with this thread?

It's far more unprofessional to play out of tune than to take a quick second to tune on stage. And that may mean tuning to something in the group that you have no direct control over. Like a piano. Or a horn player. Or a vocalist (it happens). It's one thing to have a bassist audibly tuning mid set, it's another to quickly hit a tuner pedal and get a few strings back to where they ought to be after, as others have mentioned, the temperature difference between backstage and onstage, or if you're a particularly active bassist on stage and a tuning peg gets bumped.
 
I tune just before the first song, and check again as soon as I have a moment. My basses mostly stay in tune, but the strings themselves can warm up when I play, which can lead to small changes. I also check tuning before each set.

I will also "check my tuning" when I hear that someone else is out of tune and I'll encourage everyone to do the same, which usually fixes the problem. Every now and then I do find out that the problem is me :)

As for it being unprofessional to tune up during a set? Never heard that one before. Seen many pros tweak their tuning, the best ones are great at doing it quickly by ear. What's really unprofessional is someone who plays a show out of tune.
 
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ohh wow.. :):) cool thanks for participating on the exercise, just like any other machinery, our axes needs to be inspected and fine tuned to keep her in her best playable state. i understand not all of us take our axes more than 52 tymes a year to battle, neglect is a huge factor of not having her in her best playable state causing multiple pitch tweaking on stage. as we all know, many factors can cause our axe to behave oddly, but with proper care,.. planets aligned,.. atmospheric pressure is within limits,... then, we can watch our guixxrd teak while we keep our audience entertained,... and the they wonder,.... how come the bass player never touch his pegs and still sound proper,.... cause .... the axe is always ready for prime tyme and if you see me tweak ... i'm breaking for carrots ;);)
 
Unless drastic environmental changes have occurred in the course of a set, tuning during a set is unprofessional, IMO.
I don't completely agree, if you're quick and discreet about tuning, it's not unprofessional. If you're not it can be. I believe being out of tune is much more unprofessional.
 
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That has always driven me crazy, fighting my muscle memory to compensate for an out of tune string leads me to playing even more out of tune most of the time :confused:

I found myself frequently adjusting intonation slightly so I was used to it. I guess my muscle memory isn't the greatest. Of course the effectiveness on an out of tune string all depended on how out of tune the string was.
 
Unless drastic environmental changes have occurred in the course of a set, tuning during a set is unprofessional, IMO.
I can’t agree with this. Tuning when you are out of tune is professional. Playing out of tune is what is unprofessional. I don’t like un-necessary tuning, but it is better to tune when not needed than to not tune when it is needed.
 

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