I think the best way (at least for me) to look at electric uprights is to view them in their own right. That means not comparing it to a real double bass or fretless electric. It's got its own identity and possibilities and sound.
I really like Eberhard Weber because of that. He has his own sound which is not like a double bass or fretless bass but somewhere in between. He adapted his playing to the instrument.
If you don't view it like that it will always be a compromise instead of making use of the new potential.
I really like Eberhard Weber because of that. He has his own sound which is not like a double bass or fretless bass but somewhere in between. He adapted his playing to the instrument.
If you don't view it like that it will always be a compromise instead of making use of the new potential.