- Mar 1, 2002
- 4,237
- 52
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- Disclosures
- Owner: Ken Smith Basses, Ltd.
I have owned two Lion head Basses myself over the years. Back in the mid '70s I had a beautiful 3/4 Bass by Hans Schirmer, a German maker c.1920. This Bass was beautiful in every way.
The second Lionhead Bass was THE Bollbach Lion that I just recently sold to a good friend of mine here in Pa.
The Bollbach Lion has details that stun the eye. One well known Violin authority examining the Bass stated that it was the best carved and detailed Head he had seen in modern times.
Now, I personally find beauty in well carved Scrolls as well. The Scroll on my Gilkes is about the best I have seen. From a few feet away it's just a Scroll but when you look close at each line, each bevel, each curve, you start to wonder if it was made by human hands and not some higher form of life.
It doesn't have to be fancy to be beautiful. That's what I am trying to say. Yes, I love my Gilkes and can't stop talking about how beautiful it is but it is important for all those that look at instruments to study the best makers that have lived. Gilkes is noted in all the English journals as a first class maker of ANY period.
Also, putting an Extension in a carved head is not as easy as thru a scroll in case you might want one in the future.
The second Lionhead Bass was THE Bollbach Lion that I just recently sold to a good friend of mine here in Pa.
The Bollbach Lion has details that stun the eye. One well known Violin authority examining the Bass stated that it was the best carved and detailed Head he had seen in modern times.
Now, I personally find beauty in well carved Scrolls as well. The Scroll on my Gilkes is about the best I have seen. From a few feet away it's just a Scroll but when you look close at each line, each bevel, each curve, you start to wonder if it was made by human hands and not some higher form of life.
It doesn't have to be fancy to be beautiful. That's what I am trying to say. Yes, I love my Gilkes and can't stop talking about how beautiful it is but it is important for all those that look at instruments to study the best makers that have lived. Gilkes is noted in all the English journals as a first class maker of ANY period.
Also, putting an Extension in a carved head is not as easy as thru a scroll in case you might want one in the future.
And that was after studying feline anatomy, so my hat goes off to Jeff Bollbach.