My drummer friends who want dry cymbals talk about burying them in the ground for years, storing them in open sea air, etc. to build up a patina.
All this essentially to accelerate the effects of aging.
I love a real dry Jamerson type bass sound, but Thomastiks are expensive af, and even the original Lebella Deep Talkin' flats are pretty bright out of the pack. I just had an unfixable break in my ten year old set of Thomastiks and I'm a kind of heartbroken.
Are any bassists out there pre-aging flats to have that nice aged sound faster? What are your techniques? What have you found out?
Drummers, any advice from cymbal aging adventures?
All this essentially to accelerate the effects of aging.
I love a real dry Jamerson type bass sound, but Thomastiks are expensive af, and even the original Lebella Deep Talkin' flats are pretty bright out of the pack. I just had an unfixable break in my ten year old set of Thomastiks and I'm a kind of heartbroken.
Are any bassists out there pre-aging flats to have that nice aged sound faster? What are your techniques? What have you found out?
Drummers, any advice from cymbal aging adventures?