The bigger question is what/who does it take to play or write a bass solo that someone other than a bass player wants to listen to and really enjoys like a good solo from a “lead” instrument. And how many great examples are there?
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I think within improvised music and "New Music" there are quite a few examples of solo material that interests non-bassists. Of course it is another small-sh group of people but enough to support the work world wide. Nearly every bassist involved in New Music, free jazz and improvised music has a solo release out there. My solo sells as well as my other work.The bigger question is what/who does it take to play or write a bass solo that someone other than a bass player wants to listen to and really enjoys like a good solo from a “lead” instrument. And how many great examples are there?
13 year gap in posts. Awesome. Where is the zombie kitten?
Going back to the OP... "classical music" as recognized by most, is music composed from about 1750 to 1920 (being generous here) on to paper and interpreted from there. Back then the DB was different. Different strings, sound, setups, etc made it less agile or audible as a solo instrument with the ensembles of the day than it is today. One can write the same thing about the guitar family instruments. They didn't write as much soloist material back then, and new stuff composed since mid-20th century isn't called "classical".



When the drummer solos...".......When else am I as a (bass playing) listener and 95% of the rest of the audience going to get a good chance to walk to the other room, go take a P!$$, and get another beer?????![]()