My first experience with them was a set of Chromes into a Precision, but I never cared for the tone (I called it "empty shoe box" tone).
Funny thing is what I'm after is 60's/70's old school thump, no highs, no slap...with the Tis Jazz rounds that subbed the Addarios I almost close all the tone knob, and scoop a lot of mids on the amp, so I basically try to emulate the flatwound tone...
I just got a Danelectro Longhorn. It came with flats, not sure which brand they are (if someone could clue me in, I appreciate; they have blue silks and red/blue/white/red - EADG ball ends).
I LOVED THEM !
BA112 is equalized about the same (in the mid scoop fashion), but I can get the tone I'm looking for real easy with both pickups, tone knobs also closed.
Now I'm wondering if my dislike of flats (specifically Chromes) on my P was due to the different amp I was using at the time (Ampeg Micro VR and 1x12 cab), my lack of ability to equalize them (I used a more "flat" eq back then), or simply because I didn't like the brand...
Funny thing is what I'm after is 60's/70's old school thump, no highs, no slap...with the Tis Jazz rounds that subbed the Addarios I almost close all the tone knob, and scoop a lot of mids on the amp, so I basically try to emulate the flatwound tone...
I just got a Danelectro Longhorn. It came with flats, not sure which brand they are (if someone could clue me in, I appreciate; they have blue silks and red/blue/white/red - EADG ball ends).
I LOVED THEM !
BA112 is equalized about the same (in the mid scoop fashion), but I can get the tone I'm looking for real easy with both pickups, tone knobs also closed.
Now I'm wondering if my dislike of flats (specifically Chromes) on my P was due to the different amp I was using at the time (Ampeg Micro VR and 1x12 cab), my lack of ability to equalize them (I used a more "flat" eq back then), or simply because I didn't like the brand...