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He always (often, at least) still plays his famous 70s Fender Jazz, the one he based the Sire V7 on. Still with Sire, still plays them live.I've notice lately he's been playing a Fender signature instead of the Sire brand.
I've notice lately he's been playing a Fender signature instead of the Sire brand.
I love, love, love his bass clarinet playing. Man after me own heart! heheI just saw him Friday. He played his '77 Jazz most of the night, plus two Sire MM basses - a fretted four and a fretless five - and a bass clarinet.
I just saw him Friday. He played his '77 Jazz most of the night, plus two Sire MM basses - a fretted four and a fretless five - and a bass clarinet.
The video I watched, it looked like a copy. I didn't see the M initial between the pickups.Crazy to think he still takes that old Jazz out. With the amount of copies of it, you'd think he would keep the original safe. That being said, I get why he prefers "his" bass.
Crazy to think he still takes that old Jazz out. With the amount of copies of it, you'd think he would keep the original safe. That being said, I get why he prefers "his" bass.
Especially everything below a low B. So throaty. Somewhere between a bass clarinet and a tuba is the bass guitar tone I've been hunting for for close to 3 decades lol.I love, love, love his bass clarinet playing. Man after me own heart! hehe
He got himself one just like the original and doesn't take the original one out anymore.Crazy to think he still takes that old Jazz out. With the amount of copies of it, you'd think he would keep the original safe. That being said, I get why he prefers "his" bass.
The terms of endorsement deals vary with each deal, some are restrictive, some are not. The more "power" an artist has, the more likely they'll be able to get more flexible endorsement deals.This makes me wonder sometimes what the rules are regarding endorsement deals -- is it cool to be using an instrument from one company when you're endorsing someone else? I guess it depends on the terms of the endorsement contract, but there must be some kind of common expectations.
Crazy to think he still takes that old Jazz out. With the amount of copies of it, you'd think he would keep the original safe. That being said, I get why he prefers "his" bass.
Yeah he's way more involved than a typical endorsee. Almost a co-founder, basically, at least in terms of influence on the design of the product.From what I remember, it was really important to MM to get quality basses into the hands of younger players without a large price tag. I don't know that Fender would have been willing to do what Sire did. But he elevated Sire for sure.
Rarely are endorsements exclusive.This makes me wonder sometimes what the rules are regarding endorsement deals -- is it cool to be using an instrument from one company when you're endorsing someone else? I guess it depends on the terms of the endorsement contract, but there must be some kind of common expectations.
Fender doesn't make inexpensive decent instruments? News to meFrom what I remember, it was really important to MM to get quality basses into the hands of younger players without a large price tag. I don't know that Fender would have been willing to do what Sire did. But he elevated Sire for sure.
This is what I'd heard as well.He got himself one just like the original and doesn't take the original one out anymore.
I was in the Navy, and my ship was home-ported in San Diego where there was a great modern jazz radio station. I heard all kinds of great music without ever knowing much about it -- sometimes I would catch the announcer saying who played, often not. Anyway, I loved David Sandborn's music, even went to a couple of concerts (sadly, after Marcus had moved on to something else). Never knew who any of his players were. But there was this one song called Run for Cover that was just phenomenal. I figured out how to mimic the main riff, and to this day it's about all the slap I know.It's funny, I "discovered" him as a kid in 1980 listening to Grover Washington Jr's "Just the Two of Us" (w/ Bill Withers doing vocals), fell in love with that album as a whole ("Winelight"), then picked up the bass about 10 years later, started learning who the 'good bassists' are at that time, and heard some of Marcus' other more bass-centric stuff, and then about 5 years ago was reading the liner notes to Winelight and my jaw hit the floor: "Bass: Marcus Miller." I was like "No wonder I think the bass on that album is so great! It's freaking Marcus!" And sure enough, wherever he goes and whatever sessions he records, I hear that '77 Fender Jazz bass. And frankly, I love the way he sounds with it.