Didn't see a link in your post, so I did a search. Don't think I turned up the version you were referring to, but turned up these:
Didn't know Jeff could sing!
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Didn't see a link in your post, so I did a search. Don't think I turned up the version you were referring to, but turned up these:
Didn't know Jeff could sing!
Not to take this thread off Topic (actually directing it back to the Topic of which this WAS about: Sir Jack Bruce) & Not to take anything away from capnjim on the discussion of the Masterpiece “Crossroads”. Cream (& Jack) were light years ahead of their time. But as Stellar as his performance was in that song (and NOTHING disparaging to say about it, after all, how can you taint the polish on perfection?)… My all time Fav’s by him come from the West, Bruce & Laing album “Why Dontcha” Collection. The ENTIRE LP warrants a Study. My Personal Fav’s from it are:
# 1. (I will take a Formal Bow to the Bassist who can come even close to duplicating his efforts on this one):
Why Dontcha:
#2 The Doctor:
Take what you want from my humble opinion, but after all these years, I still manage to dribble up a little drool when I listen to these passages.
Crank them up !!
Mr. Jack Bruce is the reason my daily player today is a Gibson SG bass...well, that, and I simply LOVE that bass! Like another poster here, I'm turning 65 this year. I started playing when I was 12. Must have played Crossroads a thousand times with bands, and practicing alone. Still can't exactly duplicate the "feel" Mr. Bruce put into parts of it. Some of the notes, and the timing are like a god is touching those strings. Many times I've asked myself, where did he get the idea to play those notes?
Remember, Mr. Bruce started out (musically) as a classically trained cellist. From that, he derived a feel and attitude for playing rock bass lines that nearly no one else had...especially in those days (1968), or for that mater, even today.
Ever play a cello? Even the tuning is totally different (usually C G D A). Notice, they aren't even the same spacing apart as a bass...not just higher in pitch. Think about that for a minute. Just a guess, but In my mind, this early training likely caused him to think quite differently about how he improvised his bass lines. That's one reason that studying Mr. Bruce's bass lines can be so productive to us mere mortals.
Personally, I like standing close to a bass god (the immortal Mr. Bruce certainly qualifies) by trying to play what they've played...perhaps after a while, a little bit will rub-off on me.
Dave O.
Pretty much--use it as a way to learn stuff, and then do your own thing.It's useful as ear training and to learn how Jack thought 50 yesrs sgo. Utterly pointless if the idea is that THIS is only waybto play "Crossroads", because they never wanted to play it the same twice.