I agree with you buddy. Technique makes the tone... But IMO not the timbre.
So you didn't understand me. Sorry about that, my fault. English is not my first language so maybe I have not expressed myself with the right words.
The best timbre I get from the bass is on the bridge pickup with flats. It's a example I gave for the people who might be wandering my tone preference. I mean i really like the Jaco tone, playing with a fat amp, etc... The famous jazz bass tone. I hate glassy highs in other words. But still hate lack of clarity, or dynamics. I look for that in a pickup.
The problem is: i can't get a classic fender tone in this bass. Even when playing passive.
I have played other Fender Jazz Basses, some from the 70's, some with split coils also, and they all sound better than the N3 Noiseless. You can search here in TB or in other forums on the internet. I have never seen a expensive bass like that having some bad pickups like the n3. Here is Brazil the bass players think the same. Probably because they are stacked coils. When i bought them i tought they were split coils. So it doesn't matter the strings or the technique. Rounds, or flats, soft playing, or hard, the sound is always too compressed. I bought it without testing it first, because here in Brazil it is too hard to find high-end Fenders for testing and this is the only Fender with a good pre amp and a active/passive switch. So as you can see, I did not want to modifcate the bass, but because of its tone, I see no other way. Split coils are nice, but im never again buying a bass with stack coils again. Its sounds awfully compressed (to my ears).
However the bass play like a dream, i must i agree. Thats why I am willing to change the pickups and not the bass... Sorry for the confusion...
What do you think about these: Fralins, nordstrand nj4, antiquity's II?