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Jazz pickup adjustment questions, NOT about height

"Dial in" neck first, bridge first, or inconsequential? Doesn't matter, because you should listen to both of them separately as well as together to make sure it all sounds good. That being said, if you tend to favor one specific pickup or configuration it wouldn't seem unreasonable to start with that one.

Tilt either, both, or neither towards nut, towards bridge, or flatly even with strings?

How much bottom end is enough, or too much, on the neck pick up? What's your cue that you have it just right?

I don't think it really matters where you start so long as you make your final decision based upon your ears. I would typically start with the pickups where they are when the bass comes to me, unless maybe they are extremely low, high, or tilted, and adjust from there. Typically I am going to tilt the pickup if I hear that the low strings are too loud compared to the high strings or vice versa, and for me this varies by every single bass. I am not usually all that concerned with output, so the question of how close the pickups should be to the strings is based primarily on whatever I think sounds best and again will vary from bass to bass and pickup to pickup.

I don't have any answer for the question of "how much bottom end is enough" other than to use your ear to decide whether the bottom end is good for you, which is going to differ for every person, and even with the same person they may have different preferences depending on the sound they want from a particular bass. I personally probably go for a little bit less bottom end than the average bassist because for my playing and tone I find that if the sound is too bass heavy it tends to cause the low notes on the bass to be too dominant and make playing in the middle and upper registers sound a bit weaker. Particularly thinking from a live and recording perspective I am trying to set up a bass to sound as good and even as possible across everything I will be doing.
 
Appreciating all the tips.

Understanding audio is subjective, are there objective positive or negative things to listen for while adjusting?
If you mean roll off, I listen for a bit of 60 cycle hum to come in as the pickups "unbalance" then I know I've rolled off the right amount.

As to adjustment, I reckon you need to test this in the band cos it sounds different live, and also further away from the amp. Get a long lead or wireless if you really want to hear that. I wouldn't worry too much. Varies with type of string too. I think there might be some posts on TB about strings....
 
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...good and even as possible across everything I will be doing...

Even as possible - I like that.

Attempting to maximize dynamic range might be an alternate approach.

That makes me wonder which is preferable for my use; optimizing for the widest dynamic range of the instrument, or setting up for evenness. Either way, the outboard preamp will have some work to do.
 
The only right answer is what sounds right for you. I'd recommend this set of steps to get there:

Make sure your set-up is complete, save for the pickup heights: Relief, action, intonation, and you ONLY DO THIS with brand new strings. You're fixing to do a lot of listening, and even slightly played-in strings can lie to your ears. New Strings ONLY.

Then I would press the E and G down at the last fret, and adjust the clearance between the bottom of those strings and the outside end tops of the pickups both to a 1/2" gap.

Then listen.

Chances are you may end up with them at different heights, angles, etc., until it sounds right TO YOU, but this way you are starting from a set, even measurement that you can always go back to should you have to start over.
 
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