Hard to decide which one of these to play anymore, they're all special in their own way!
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Darn, when I saw the title I was expecting to hear a little "Tea For Two" when I opened it.
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Hard to decide which one of these to play anymore, they're all special in their own way!
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It' hard to beat block inlays, but '61 is '61.
i immediately went to bill evans.when I saw the title I was expecting to hear a little "Tea For Two" when I opened it.
Your 61 seems to have very little or no router hump. Is it just the picture? My 62 looks a lot like yours, Just curios if some were less than others.
I agree. Your ‘61 does not need to be hauled around to gigs. I do not care how rich you or are not, there are only so many genuine 1961 stack knob Jazz Basses in this world that are in playable condition.Yeah, it's definitely got the mojo factor. I only use it for recording, sounds killer. My bandleader would prefer I gig with it but I'm too paranoid to take it out, it's irreplaceable.
They had no clue their $250-$450 Fenders would ever be valuable.Previous owner took the bass to a belt sander. He literally sanded at least a quarter inch off the entire instrument including the headstock. When I had it refinished my luthier added a veneer to the headstock to thicken it and also added a block of wood near the neck pocket as that area was heavily sanded. No idea what some of these guys were thinking back in the 70s.
They had no clue their $250-$450 Fenders would ever be valuable.
Say what?Yeah, they're there more for looks. I actually sanded off the top of the felts so they don't touch the strings. Can't stand flatwounds or that dampened muted sound.

Say what?
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It's a sound worth exploring. I have a P bass set up that way. Just one though. A Kay M-1 upright with flats so I guess that's two with flats, No mute on the Kay, I don't bow that muchJamerson played a Precision, though! I've studied all of his Motown lines, they're genius but I just can't get into that thuddy, dead tone on all of those records. All of my basses (including my PBass) have roundwounds.
I'd take it out of storage so you can fire it up every now and then, it's better for it.I've got a '66 B15N but the head is in storage.
Here’s your winner.I'm offended, lol. No, that's the real deal. 1961 Fender Jazz Bass stackknob refinished in Olympic White with matching headstock. All original except the control plate/wiring, nut, and string mutes. Sounds totally different from the other two, much more mellower but in a good way.View attachment 4167680