Back around Halloween, I bought a Joyo Scylla Bass Compressor & was initially impressed with it, then I started to have some clipping issues.
I didn't consider that clipping a defect because my right hand is overzealous and my bass' pickups are hot.
Yesterday, I picked up an Ampeg OptoComp, and by setting the internal jumper to -15dB, it was able to handle my bass' attack well.
However, the Ampeg seems to suck out a lot of mids - and I rely on those mids a lot.
So the Ampeg will go back - but it made me think that I should try to tweak the Joyo since the Joyo's controls are a bit vague.
Output, Tone, and Ratio all function like I expect them to.
"Input" is a bit odd (it seems to boost the level going into the comp to make sure there is a hot enough signal to work with) but I get the basic idea.
But the two that confused me (which led to me listing the Scylla for sale) are the Attack and Release controls.
From what I can tell*, the Attack and Release controls on the Scylla are backward from what I expected; when those controls are fully counterclockwise, it seems like the attack time is the slowest, and the release time is the longest.
Knowing* that, I've been able to dial in a really great tone & I've pulled down my for-sale ad.
(* = "I still might be interpreting the controls wrong, but the result is working for me")
The most subtle compression (which is what I was after) came with those controls set closer to fully clockwise.
The manual provided very little guidance on any of that.
Anyone else getting good results with this comp??
I didn't consider that clipping a defect because my right hand is overzealous and my bass' pickups are hot.
Yesterday, I picked up an Ampeg OptoComp, and by setting the internal jumper to -15dB, it was able to handle my bass' attack well.
However, the Ampeg seems to suck out a lot of mids - and I rely on those mids a lot.
So the Ampeg will go back - but it made me think that I should try to tweak the Joyo since the Joyo's controls are a bit vague.
Output, Tone, and Ratio all function like I expect them to.
"Input" is a bit odd (it seems to boost the level going into the comp to make sure there is a hot enough signal to work with) but I get the basic idea.
But the two that confused me (which led to me listing the Scylla for sale) are the Attack and Release controls.
From what I can tell*, the Attack and Release controls on the Scylla are backward from what I expected; when those controls are fully counterclockwise, it seems like the attack time is the slowest, and the release time is the longest.
Knowing* that, I've been able to dial in a really great tone & I've pulled down my for-sale ad.
(* = "I still might be interpreting the controls wrong, but the result is working for me")
The most subtle compression (which is what I was after) came with those controls set closer to fully clockwise.
The manual provided very little guidance on any of that.
Anyone else getting good results with this comp??
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