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Looking for a high-gain open-sounding saturation pedal

I'm yet to find the high-gain saturation pedal of my dreams.
The sound I'd like to achieve would be something very open-sounding with sustain for days and loads of overtone, harmonics, chime, call it whatever you want.

On the fuzz side, I tried the SuperFuzz circuit, which is great at what it does and I like the chime brought by the octave but it sounds a bit too synth-like and compressed to me.
I tried the Green Russian Big Muff, which led me in the right direction towards what I want but still sounds quite compressed somehow.

I then moved on towards the distortion side, looking for more open-sounding saturations. I recently tried a Rat, thinking "eh Sunn O))) right?" and as it nails the tone and I like the dynamics, I feel like it's very direct and kinda lacks overtones.

Right now, I'm playing on a Boss HM-3 Hyper Metal, which kinda sounds like a less-compressed Big Muff with a sharper attack to me. I like it, it sounds very wide and rich but I feel like I'm 90% there from The One, so I'd like to hear ideas and suggestions in order to try to A/B them and narrow it down to The Very One.

I recently saw videos of the Mesa Boogie Throttle Box, which seems kinda nice, very wide-sounding and very high-gain, to say the least. So that's a contender, but not on the same budget.
I also thought of maybe trying other variations of what I already tried like an Op-Amp Big Muff or a Rat variant. I don't know if that will turn out to be relevant or not.

Any other ideas or suggestions that might fit the bill?

As for the details, my main bass is an Epiphone Jack Casady, I mostly play heavy-plucking fingerstyle with an almost always-on Nobels ODR overdrive, both saturation pedals are in a Boss LS-2 channel with a clean signal in parallel so it does not have to be a bass-specific pedal, pedals over 4 knobs make me angsty, the genre is around the post-rock/doom/stoner/shoegaze corner and I love feedback and hour-long drones.

Thanks in advance for all the ideas and suggestions!

PS : Here's a pic of the board at the moment:
327114354_3470143029929267_9148283722484694815_n.jpg
 
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My suggestion is to check out some of the Invalid Link Removed series pedals available in EU as Harley Benton [@ Thomann]. American Sound is Fender based, California Sound is Mesa Boogie, British Sound is Marshall, Oxford Sound is Orange and AC Sound is Vox based that all work well on bass particularly with a blend pedal like the LS2. The California Sound or Orange Sound might be good starting places for you given your likes so far. These are budget friendly so once you find the one you like perhaps you can seek a higher quality or tube version at a later time or not.

Nice board btw, here is mine main board 11-2022.jpg I would normally suggest the Source Audio Aftershock so you caould create your own sound but you seem adverse to that idea.
 
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My suggestion is to check out some of the Invalid Link Removed series pedals available in EU as Harley Benton [@ Thomann]. American Sound is Fender based, California Sound is Mesa Boogie, British Sound is Marshall, Oxford Sound is Orange and AC Sound is Vox based that all work well on bass particularly with a blend pedal like the LS2. The California Sound or Orange Sound might be good starting places for you given your likes so far. These are budget friendly so once you find the one you like perhaps you can seek a higher quality or tube version at a later time or not.
Nice idea! The more I search, the more I think I'm leaning towards very high gain modern distortions (oddly enough, I think these are quite tacky on guitar but I somehow like how they behave on bass), and I noticed some options but on the pricey side, so it might be nice to try the Marshall-type Mesa-type and Orange-type before I take a shot!

Nice one! How is the 3rd dimension? I really like chorus that is not "pulsating-LFO-chorus". That's how I use the Boss PS-6 on my board, with the detune function.

I would normally suggest the Source Audio Aftershock so you caould create your own sound but you seem adverse to that idea.
I totally respect Source Audio for what they provide to the evolution of music gear, but I think I'm not the target audience for their products, they seem a bit overwhelming to me.