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Looking for a new overdrive pedal after visit to the studio.

So if you don't want to read the whole thing I am looking for a new OD/dist with lots of high mids/highs and plenty of gain. Open to suggestions.

Need New dirt ped-

So a strange predicament with a long story. Well I wrapped up recording for the band im in (band sounds like failure meets hum). I own way too much stuff :) and I was surprised what I ended up using on the recording. It's odd that you show up with a game plan and it changes last minute as you start to track. My tracks were split into 3 paths, one SVT, one B15, and one DI. I was planning on using a ric or my 74 p bass as my main bass but I ended up using my pink Jazz with the paf model j's and j retro. It sounded super good in the mix I used it for all the clean bass tracks. I ended up havin the last day of tracking be the dirty bass day. I brought about every dirt/fuzz/overdrive I owned and was surprised again what I ended up using. I started with the fuzz and out of the 5 muffs I own the best sounding was the Bluebeard on tone bypass. I was actually pretty floored by that since I actually brought it over for the guitar players to use. The fuzz tracked turned out super great also. The fuzz tracks were done with the 74p and SVT only. So clean sounds great as does the fuzz bass. Next came a couple songs where I wanted a real nasty overdriven, almost distorted bass tone. Think in your head playing bass thru a Marshall stack. So I have 2 rats and a demon (OCD). Mind that I'm still only using the SVT with the same setting and mic placement as all previous tracking. I can't get the tone I want to save my life. All those dirts sounded super similar to the tracks I cut with the BB. I tried every bass I brought with those peds and no success. Then I went to the other room and grabbed a turbo tube screamer. That didn't cut it either. Then I remembered my aguilar tone hammer was at the studio. I was getting warmer with the TH but still not there. Then we decided to not use the mic'd SVT, went straight to the board with the TH DI, and that was the closest I could get to what I was looking for. Both times the highs and high mids were cranked along with the gain knob on the TH. We recorded that and it will probably need some tweaking in post production. Now here is my problem, out of all my effects I'm missing that nasty dirt tone i want/need. I already know all my pedals don't work in front of my amp. So what I need is a new dirt pedal that has a onboard EQ with lots of highs and high mids. With a really good amount of gain. A blend would also be nice but not a must. Some kind of Tonehammer-ish on steroids im thinking. Any suggestion would be greatly appreciated.
 
Brimstone Audio XD-2

It's a little complicated looking, and a little confusing, but once you see what is going on it's super easy to use.
Essentially, it's two distortion pedals tied together with a crossover.
The left side of the pedal controls the distortion on the lows...the right side controls the highs. You set the crossover point wherever you like.
On top of all that it's got a Boost that takes it into really nasty awesome distortion.
Because of the crossover you can easily get nasty distortion with clarity. It's just an awesome pedal.

The XD-1 is the same thing, it's just a little bigger (about an inch on each side) and it lacks the internal trim pot of the XD-2 that is a master volume for the Boost channel
 
+1 on the Rusty Box. I can't wait for mine to get here. Ever consider asking Ryan from Fuzzrocious if he could make you like a custom Demon with an added EQ section and clean blend! It might wind up being a large enclosure but might be worth a shot. Other one that come to mind would be the XD-2 crossover distortion by brimstone.
 
Brimstone Audio XD-2

It's a little complicated looking, and a little confusing, but once you see what is going on it's super easy to use.
Essentially, it's two distortion pedals tied together with a crossover.
The left side of the pedal controls the distortion on the lows...the right side controls the highs. You set the crossover point wherever you like. On top of all that it's got a Boost that takes it into really nasty awesome distortion.
Because of the crossover you can easily get nasty distortion with clarity. It's just an awesome pedal.

Beat me to it. :)
 
B1DEF830-C6E9-4ACE-9893-1403E52A212A_zpsub59daxo.gif
Here are all the peds I took minus a few muffs and the TH which was already there.
 
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The rusty box is currently at the top of the list. I thought about the Agro pedal but I hear it's kinda scooped sounding. They still making rusty boxes?

Agro isn't scooped to my ears. The contour control is scoop only.

Rusty Box is taking waiting list orders for this spring/summer.

B3/7k might be a good fit here. If scoop is an issue, some settings on the B3k might be a problem, but it has other settings.
 
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Agree on the B7k, fantastic control over EQ on that one, and can get downright gnarly.
A good "mild" grunt tone on it can be easily heard on The Safety Fire - Yellowism. Fantastically thick tone there, but that's through a Sandberg California TM5 (if I remember right), through the B7k into an Ampeg SVT3-pro with SVT410(don't recall if he or hlf).

For my nasty settings though, I use a Greer Ghetto Stomp chained with the Sansamp PBDDI into my rig.
 
I'm certainly NOT belittling you, and I'm certainly happy that we have all these options, but the thought occurred to me that bass players didn't have these problems even just twenty years ago.

Times change, tastes change, 20 years ago 90% of bassists were "fine" with "Bass, Cable, Amp". Now it's about 65%. Especially with more modern music. 20 years ago you didn't have hundreds and hundreds of options to choose from when it came to how that grit sounded, especially pedals that had bassists in mind
 
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Some suggestions: a woolly mammoth, the swollen pickle or a DNA Bass Dragger.
The two first pedals are really NOT plug and play and require quite a bit of fine tuning but you seem to have studio time for this.
Also a weird one that can be really effective, in fact it can be the Swiss army knife of distortion if you know the pedal: EH Micro Synth. The square wave is terrific and you can put a more dirt before or after depending on your needs. The Fulltone Bass Drive or HBE Hematoma are good for this.
 
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