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Looking for a new short-scale bass - advice needed!

If you can patiently grow the budget a few weeks/months, Serek basses seem worth every penny. Likewise with Reverend and their Dub King, Linhbacker, or Wattplower. Lākland has a shorty with a lot of vocally pleased users.

I do dig my G&L Fallout’s J-like parallel setting when I’ve got rounds on it, but it’s currently my flats thumper and is usually left in single coil mode. Used Tribute import models can be Reverb’d for $450-500.

I really wish I’d grabbed a Gibson LPDCT. Videos of those sound great. Gibson shows them on their site, but most shops are out of stock. I emailed a couple weeks back and haven’t heard word back as to whether they’re discontinued or just the workers are focused on building up stock of geetars first…

Longhorns, man those look cool. The only evidence I have of them sounding good to my ears is stuff be NOFX.
 
Marcus Miller U5 short scale 30"
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Have you considered a short-scale conversion neck? Since you like your Jazz already, you can just unmount the long-scale neck and mount a short-scale neck in its place.

These are 32”, so technically medium-scale, but are made by TB’s own @BTL : CONVERSION NECKS | LOWE CUSTOM GUITARS

I’m sure there are other manufacturers as well.
 
Have you tried the Nordstrand Acinonyx Bass? 30.7" and rather lightweight with great sound.

My immediate response. Maybe because I have two of them. Version 2 with the three single coils and a tone knob seems like the more likely fit here. It’s a brighter sounding bass than the v1 which is a little warmer/darker.

V2 has three single coils which can be combined in humbucking configurations.

The string spacing is also fairly tight at the nut and bridge, which should be easier on smaller hands.
 
Hey all. For the first time in a few years, I'm in a band and settled right in, so I'm assessing all of my gear to make sure it's going to fit the bill.

A couple of years ago, I bought a Squier Paranormal '54 Jazz Bass, and I absolutely love it. It's lovely to play, looks gorgeous, but most of all it has such a wide range of tones available, thanks to the split volume/tone knobs for each pick-up, rather than the traditional J controls with two volume knobs but only one tone knob. The possibilities really are endless, and it covers every tone my band needs. We play alternative/indie rock, with songs ranging from slow and melodic to heavy and fast, so I use both pickups in just about every combination of tone and volume at some point.

The only issue I have is that I have small hands. Normally that's fine, but a couple of our songs feature very rapid two-fret hammer-ons and pull-offs, and I'm finding it tough to do with a normal scale length. I took my Hofner 500/1 to a practice the other night, and found those songs so much easier to play. Unfortunately though, the Hofner just doesn't have the tones I need. It's got one great tone (your standard McCartney setting), but it isn't up to the job for this band.

So, I'm considering buying a short-scale bass that has a similar tonal variety to my Paranormal J Bass. I thought the Fender Player Mustang would fit the bill, but I tried one and there were some issues I couldn't get past (white fret markers on the side of the neck that are so hard to see because they're mostly in the maple part? Come on Fender). I'm not a fan of humbuckers at all, so things like the EB-0 and Gretsch Junior Jet aren't gonna be for me, and I'd like two pick-ups. I also tend to lean towards vintage styling, rather than more modern looks. Outside the band, my favourite things to play are Beatles, Smiths, Joy Division, The Jam, that sort of thing. I nearly always play clean, but sometimes use chorus for some Peter Hook-style sounds.

I've narrowed the list down a bit to the following contenders, but unfortunately finding examples of two of them to try out has proven impossible so far:

Ibanez Talman TMB30
Pros: Have been able to try it, had some good tones. Nice satin neck. Very playable. Only around £200.
Cons: Some budget-range finish issues. Single tone control, which was more like an on/off switch than a knob. Not a huge fan of the looks.

Danelectro '58 "Longhorn" or '59 DC Short Scale
Pros: Dual tone and volume controls. Love the retro looks. Supposedly very light. Can get one for under £500. Tones sound nice on demos. Lots of frets, so can get very high up.
Cons: Haven't been able to play one. Have heard they're not the most durable basses. Longhorn bass might make me look like a prat (not difficult, but still). Not sure how adjustable the bridge is so set-up might be tricky?

Hagstrom Viking Bass
Pros: Looks beautiful. Dual tone and volume controls. Split-coil pick-ups means I can choose between neck/neck+bridge/bridge for single coil, and have humbucking options if I ever change my tune on those. Gets good written reviews.
Cons: Cheapest ones go for about £750. Have heard there are QC issues, especially with the neck and the pick-up selector switch. Haven't been able to play one, and English-language demos are hard to find online.

If anyone can offer any advice regarding these three basses, or knows of another option that might suit what I'm looking for without being more expensive than the Hagstrom, then please let me know!

Gibson LesPaul Tribute. Awesome bass.
 
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I would recommend the Squier Vintage Modified Jaguar Special short scale. Pickups might need swapped depending on the sound your looking for but the neck is super fast.
These are no longer in production, so you’ll have to try to find a used one. I luckily got one last year and love it. The stock bridge (jazz) pickup was a little weak so had it changed to a DiMarzio Ultra Jazz. Easy to mod as it has standard Fender-size parts.
 
I'm not sure how helpful it is to recommend humbucker equipped basses to someone who specifically doesn't want humbuckers. Most of the basses suggested so far have a much darker, completely different tone than a J-bass. Even the single coil equipped Gretsch Jr Jet has a much darker, almost humbucker-like tone (which is probably the reason why Gretsch got away with selling a bass loaded with two BRIDGE (!) single coils and calling them humbuckers for YEARS before anyone noticed).

The OP likes the J-bass tone and the flexibility of a concentric pot layout with two tone controls. If 32" medium scale could be an option I think the Squier CV Jaguar bass would be FAR less of a compromise than getting a humbucker equipped bass.

Someone suggested the Squier Vintage Modified Jaguar short scale bass. This is a very good suggestion. It doesn't have concentric pots and it's PJ rather than j but it's a 30" short scale. The only problem is finding one in good condition (used) as they have been discontinued for almost a decade.

For someone new to short scale it's also worth mentioning the importance of finding the right type/gauge of strings. You'll need to check the required WINDING length for your specific bass as short scale strings from different manufacturers vary considerably in length. Some are made for short scale basses with a tail piece, which means the actual winding length is actually closer to medium scale. Finding the right gauges can also be a challenge. Many short scale strings are far to light/floppy IMO and the selection of good short scale strings is rather poor.

Don't get me wrong, I love short scale basses but unless you prefer lighter gauges than 45-105 on a long scale bass you will struggle to find strings with the required tension/stiffness on a short scale. There are only three or four short scale sets out there than I personally find playable.
 
I would recommend the Squier Vintage Modified Jaguar Special short scale. Pickups might need swapped depending on the sound your looking for but the neck is super fast.

Good suggestion! :thumbsup: But sadly discontinued for almost a decade. It might be worth considering if the OP can find one in good condition. The tone will be MUCH closer to a J-bass than most of the other suggestions so far.
 
I have a Sire U5 and a Squier Vintage Modified Jaguar Special short scale both are excellent sounding and playing passive basses. Also have an Ibanez SRMD200 which is 32" scale and with the active electronics is fabulous because you can roll back the bass and treble and get a nice passive vibe. Ibanez hit it out with this one worth at least twice the price.