One thing is sure. I'm ready for something else.
A key statement.
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One thing is sure. I'm ready for something else.
... By the way, I hope to hear you play some time, the way you describe yourself sounds extremely interesting.

I put Green on my ipod, thanks.
Good luck. Make sure you get a few words in edgewise.I will head out to see what Ken has.
I tried this bass. It is at Gage's in NYC. I was not impressed. Furthermore, I do not think it is either Italian or English (and neither did the staff at Gage).
Is this the Testore School you tried at Kolstein? I tried it today and I liked it. Curious to know what's your thoughts about that bass if is the same.Oh, c'mon. Now ya gotta tell us what it is.
" A very small Italian hunny. It is a beautiful little odd shaped dark bass with a huge sound for it's size."
The Puolotti? or the Nepolitan w/ the 17 & 3/4 " upper bouts,...not the small, dark, Testore School?
I've played a lot in his inventory. We could compared notes.
..what he said. Those little Italians are sweet, but orchestra guys usually go for basses atleast a bit larger.
I understand about chunky Yankee basses and their dimensions.
My Prescott has very similar measurements (except the upper bouts are 20+" instead of 21+") to your Yankee w/ a somewhat similar shape.
My Prescott is one of the smaller examples out there, but sometimes I think it's deeep ribs (actually a bit over 9") make it feel a little chunkier to play than my German shop bass. Eventhough they have the same string length I probably can pull off pyrotechnics a bit easier on the German, but I'm just addicted to 'sound' of my Yankee and I'm not sure a smaller bass could do that in the same way.
OTOH some of those little Italians are pretty darn amazing.
....paging Dr. Phil, how 'bout a gruff, spot on, one line pearl of wisdom about now?...2,3,4..