- Feb 12, 2006
- 60,963
- 5
- 220,653
- Disclosures
- Development Engineer-Mesa Boogie, Development Engineer-Genzler (pedals), Product Support-Genz Benz
For clarification, (as I get these questions all the time) the Carbines are quite a bit brighter and more in your face brash than any of the Subway amps. Some players really like this, but for some it was difficult to get along with, especially in a smaller room.
The D-800 and D-800+ are kind of a hybridized cross between the Walkabout and the Carbine, without much of the brashness of the Carbines and with a more neutral voicing like the Walkabout but with the tighter low end of the Carbines. The D-800/D-800+ is however quite a bit more flexible tone-wise then the Carbine, which is much more of a straight ahead harder rock/metal amp. I would say that the D-800/D-800+ is between the WA and Carbine overall, maybe leaning a little bit more towards the carbine side of things.
The WD-800 is really a quite different amp, strongly in the Walkabout "tone & texture camp", it's inherently a little brighter (extended but not brash like the Carbine) then the D-800/D-800+ and is modeled after the early half of the over 10 year production life of the Walkabout (which was originally quite a bit brighter). I would say that the WD-800 is right between the early and later Walkabouts in terms of brightness. The tube texture is much more Walkabout like, as are the features and the overall tone/feel. The major differences are the ability to tighten up the sometimes uncontrollable low end of the Walkabout by using a combination of the variable HPF and Damping switch, the ability to drive the amp hard without it becoming too woolly, and the ability to extend the articulation under higher drive/volume conditions. Of course there's also a lot more power available with the WD.
Hope this helps clarify the differences if the Subway amps in context of the original legacy products.
The D-800 and D-800+ are kind of a hybridized cross between the Walkabout and the Carbine, without much of the brashness of the Carbines and with a more neutral voicing like the Walkabout but with the tighter low end of the Carbines. The D-800/D-800+ is however quite a bit more flexible tone-wise then the Carbine, which is much more of a straight ahead harder rock/metal amp. I would say that the D-800/D-800+ is between the WA and Carbine overall, maybe leaning a little bit more towards the carbine side of things.
The WD-800 is really a quite different amp, strongly in the Walkabout "tone & texture camp", it's inherently a little brighter (extended but not brash like the Carbine) then the D-800/D-800+ and is modeled after the early half of the over 10 year production life of the Walkabout (which was originally quite a bit brighter). I would say that the WD-800 is right between the early and later Walkabouts in terms of brightness. The tube texture is much more Walkabout like, as are the features and the overall tone/feel. The major differences are the ability to tighten up the sometimes uncontrollable low end of the Walkabout by using a combination of the variable HPF and Damping switch, the ability to drive the amp hard without it becoming too woolly, and the ability to extend the articulation under higher drive/volume conditions. Of course there's also a lot more power available with the WD.
Hope this helps clarify the differences if the Subway amps in context of the original legacy products.