For some time I've been just using the Xlson Chuck Israels Mic to amplify my Shen 7/8 Gemunder. I've not had any problems with feedback, perhaps because I play quieter rooms with just piano or piano and a vocalist (rarely drums). The Xlson mic really captures the true sound of my bass and blends well with and compliments the sound of a grand piano.
Last night was a little different. The Country Club we played at didn't have a piano so our pianist brought his Yamaha electric piano. It sounded really nice with a 'good acoustic piano sound', but in the end, it's still an electric piano.
I played the first set with just my mic. My bass sounded 'fine' but wasn't really gelling with the electric piano in the same way it does with an acoustic grand.
On the break, I grabbed another cable and added in my KNA piezo. I was playing through my 'Genzlihur' Acoustic Pro which has two channels with full tone control on each channel (as well as an XLR AND a 1/4 inch input and phantom power on both channels).
I added in just a little bit of volume from the piezo - still depending on the mic for a 'natural sound'. The piezo, however, added significant girth to the tone. The bottom end became something you could feel as well as here. There was also more clarity.
Both the pianist and the singer had smiles on their faces when I added in the piezo. I was able to adjust each channel to sound best for the piezo (on channel one)
AND the mic on channel two.
It was no longer MBOL, but the sound better complimented the overall sound of the group (largely due, I believe, to the fact that we had an electric piano rather than an acoustic grand).
I suppose this is just a reminder that no one setup is optimum for every setting. Whether is the size of the group, the instrumentation, the acoustics of the room, or whatever, sometimes we need to pull a different tool out of the tool bag.
It was a very pleasant gig. I really enjoyed the sound of my bass and thought it was ideal for the situation. I'll still be happy to get back to playing with an Acoustic Grand Piano and just using the mic.
Last night was a little different. The Country Club we played at didn't have a piano so our pianist brought his Yamaha electric piano. It sounded really nice with a 'good acoustic piano sound', but in the end, it's still an electric piano.
I played the first set with just my mic. My bass sounded 'fine' but wasn't really gelling with the electric piano in the same way it does with an acoustic grand.
On the break, I grabbed another cable and added in my KNA piezo. I was playing through my 'Genzlihur' Acoustic Pro which has two channels with full tone control on each channel (as well as an XLR AND a 1/4 inch input and phantom power on both channels).
I added in just a little bit of volume from the piezo - still depending on the mic for a 'natural sound'. The piezo, however, added significant girth to the tone. The bottom end became something you could feel as well as here. There was also more clarity.
Both the pianist and the singer had smiles on their faces when I added in the piezo. I was able to adjust each channel to sound best for the piezo (on channel one)
AND the mic on channel two.
It was no longer MBOL, but the sound better complimented the overall sound of the group (largely due, I believe, to the fact that we had an electric piano rather than an acoustic grand).
I suppose this is just a reminder that no one setup is optimum for every setting. Whether is the size of the group, the instrumentation, the acoustics of the room, or whatever, sometimes we need to pull a different tool out of the tool bag.
It was a very pleasant gig. I really enjoyed the sound of my bass and thought it was ideal for the situation. I'll still be happy to get back to playing with an Acoustic Grand Piano and just using the mic.

