• TalkBass has been independent since 1998. Add your voice.
    Create a free account to reply to discussions, view embedded media, and browse with fewer display ads.
    Join freeLog in
    Want zero display ads or expanded classifieds tools? Compare plans.

Double Bass more thump, less mwah... any ideas?

Mar 8, 2005
307
116
69
Hi,

I use a Steinberger CR4M and am pleased with it. My band used to be more world/funk and a bit of jazz. The tables have turned somewhat and there is now much more jazz .I guess this comes with maturity and age… (-;

I use Tomastic Spirocore (light) strings and would like to get more of a DB sound and less of the sustained mwah.

I have been using foam, dusters, loo roll; you name it to dampen the strings at the bridge. Is there a prescribed method and do any NS owners have their favourite setting to get as close as possible to a DB sound?

Thanks very much.
 
Thanks Ray, intresting thread. Still not sure what is the best string for straight plucked jazz, no arco at all.

I know it's almost imposible on an ERB, but I would like to get as close as I can to a DB tone without the sustain that mine and so many other EUB have.
 
I've had good results with my CR4M with a set of Spirocores (medium weight I think), and raising the action fairly high helped as well. This enables you to "dig in" and play more in an upright style, if you see what I mean, as although just changing the strings definitely resulted in less "mwah" and more thump it was also a question of experimenting with technique as well, also eq. I've settled on bass at 12 o'clock, treble at 12:10 with the amp set flat.
 
Allthumbs (?), what setting do you use on the 2nd and 3rd knobs? I use pot two at 3 oclock and pot three at 9 oclock. I tend to use the tone pots set to 12 oclock, but tweak them depending on the venue.
 
bob atherton said:
Allthumbs (?), what setting do you use on the 2nd and 3rd knobs? I use pot two at 3 oclock and pot three at 9 oclock. I tend to use the tone pots set to 12 oclock, but tweak them depending on the venue.

Bob,

From the top down:
Knob 1 (volume): adjust to taste
Knob 2 (p/u balance): 4/5 o'clock, ie a lot more piezo than mag
Knob 3 (treble): 1 o'clock
Knob 4 (bass): 12 o'clock
switch: up, though i've found the centre position gives a bit more thump as well
 
Ahhh, not boasting but I have 5 knobs... :)

knob 2 is the piezo / mag blend. I use about 75% piezo to 25% mag. the 3rd knob is a bit of a mystery but appears tobe an arco / pitz kind of thing. This is the one that I set to about 3 oclock. I think my CR4M must be quite new as the battery cover is at the top of the back plate on the rear so batteries can be changed and use 4/4 strings at the same time.
 
bob atherton said:
I use Tomastic Spirocore (light) strings and would like to get more of a DB sound and less of the sustained mwah . . .

Is there a prescribed method and do any NS owners have their favourite setting to get as close as possible to a DB sound?

Bob -- I've also got the CRM with five knobs, and I've been going through the same effort you have, to try to get it reasonably close to a DB sound (realizing of course that it's a different instrument than a DB and it can only come so close). Anyway, I've had good results with the following:

Spirocore Weich strings -- I believe you are also using these.

Raise the action, as somebody else mentioned in their reply.

I set Knob 2 (magnetic-piezo) fully clockwise for piezo, as this has less of the mwah (at least to my ears) than the magnetic. I imagine this also may vary by the amplifier you're using. I use a the little portable Gallien-Krueger MB150 combo amp.

I set Knob 3 (pizz-arco) in the center (12 noon position). It actually has the most DB-like sound if I set it fully clockwise (arco position), but I lose too much pizz volume at that setting, so I keep it at noon.

I set Knob 4 (treble) full counterclockwise (no treble at all).

I turn Knob 5 (bass) fully clockwise, all the way on.

That's the best I've been able to do, for a reasonable facsimilte of a DB sound. Hope this helps. Good luck.
 
bob atherton said:
Thanks Ray, intresting thread. Still not sure what is the best string for straight plucked jazz, no arco at all.
I know it's almost imposible on an ERB, but I would like to get as close as I can to a DB tone without the sustain that mine and so many other EUB have.
I put Helicore light pizz strings on my Paulin EUB because (apart from being easist to find) they were recommended for a nice growly pizz sound. However I'm wondering whether all the rules are different on a solid-body EUB that has more inherent sustain than a flexible acoustic instrument.
On a solid EUB would orchestral strings with minimal sustain sound like pizz strings do on an acocustic?
Bob, is that why you're suggesting Flexocore 92's?
 
bob atherton said:
Ahhh, not boasting but I have 5 knobs... :)

knob 2 is the piezo / mag blend. I use about 75% piezo to 25% mag. the 3rd knob is a bit of a mystery but appears tobe an arco / pitz kind of thing. This is the one that I set to about 3 oclock. I think my CR4M must be quite new as the battery cover is at the top of the back plate on the rear so batteries can be changed and use 4/4 strings at the same time.

Five knobs and a re-positioned battery cover? I'm envious! I love my NS to death, but it's a real pain having to flick switches to play arco - and as for changing the batteries...

Good luck in the search for thump.