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MTD Kingston Z5 Pickup Upgrade

I used AEROS. They have the widest frequency response of any I've heard. For 5 string players, you owe it to your B string to get the response down that low.

I know they get some rave reviews. I will look further into them.

Im looking at all my options for pre-amps and pups. The Nords have the top of my list with the Barts in second (only based on Michael Tobias's recommendation though.)

I have 2 Bart soap bars on my SR5000 Prestige and to be honest, while they do have a thousand different tones I don't really like any of them, and the A & D stings are hard to hear. Its either tooo high or to low.

I'm a sucker for the Smith, and MTD sound, and thats what I am trying to emulate. Unfortunately I don't understand the adjectives used to describe tone here. Clear, Muddy, Bright, Warm etc...

I've been thinking about starting a thread to ask members to describe the sounds of certain Youtube vids so I can attach the adjectives to the basses sounds.
 
Here is my Z5. It has Nordy DC5's each with a coil tap, Audere 4 band with Z-mode, as well as a Hipshot bridge and tuners. It really has every tone you could imagine.

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Here is my Z5. It has Nordy DC5's each with a coil tap, Audere 4 band with Z-mode, as well as a Hipshot bridge and tuners. It really has every tone you could imagine.

DSCF0008.gif

Oh I have seen your bass many times...and its a big reason why I am even doing this. Its set up pretty much like I want it (Hipshot, nords etc), but haven't heard any sound clips of it, thus I am still undecided. If you could find a way to post some you could make life a lot easier for us:D

Some slap samples, some B stings samples you know. :D
 
I know this thread is old, but I am confused about the XXP2C pups mentioned. Bartolini offers a XXP25c quad coil pup on there website but not the XXP2C pup mentioned above. I am assuming they are different pups, but need some clarification on this.



This would mean that XXP2c would be custom spacing, P2 shape and Classic Bass. Is the XXP25C a 5 string pup and the XXP2C a 4 string? If so there is still no mention of XXP2C in their 4 string offering on their site.



:scowl:Sorry bout that typo it is XXP25C. an update concerning that, I am little embarrassed but I guess thats just apart of living and learning.:hmm: I am not satisfied with limited tone even after the upgrade. I haven't bought the preamp yet cause I don't know how much difference it will make. Can anybody help?:help: I see a guy with Nordy DC5's each with a coil tap, Audere 4 band with Z-mode I think I might try that!! He says he gets all kind of versatility. :cool:
 
Yes, the smoked chrome knobs that come standard on the non-U.S.-made MTDs fit the Bartolini pots. I got the pre-wired NTMB harness (5 knob w/ push-pull mid for 250 Hz and 800 Hz frequency selection and push-pull volume for active and passive operation selection).

I think you will be extremely satisfied with this mod. I have recently changed the hardware on my Z5 to all black (Hipshot ultralite tuning machines, Hipshot B-style bridge, and rubber-coated plastic knobs). I plays, sounds, and looks exquisite!

Scott
 
What are the switches function for the KZ5 that Godspeed did? I assume one if for low-Z selection what are the two other for?
I just bought a KZ5 and looking at upgrading the pick-ups and hesitate between Nordstrand DC5 and BigSplit. Any advice?
On the preamp, I have seen Bart, OB3 and Audere as choices, any advice?
-Eric
 
I just got a Kingston Z5, and I'm excited that it can be even better than it already is. But, how do I get started? I'm not much of an electronics guy - do I need to find a local person who will know what would fit and what wouldn't? (I also assume some soldering is required for preamp/pickup mods, which would be someone else's domain.)
 
What do you find in the ebony fretboard?

At the time....I mostly like the look of it. In addition the density of ebony gives you highs that are very defined and a tight and compressed overall tone.

However....

I am so happy with the Rosewood neck that my Z has I would not change even it it was free. I cannot tell you all how happy I am with the feel of my bass.

I am still researching pups and pres for it though. I thought the Z's where supposed to come shielded! I pop'd open the cover on mine expecting to see some copper shielding tape but only found some black paint in the cavity.

I put a Bart 3-band preamp into my KZ5 at the same time I changed to Nordy Big Splits. The change left me satisfied. I can get all the tones I want out of this bass.

Any sound clips? I really like the NTMB setups.
 
Sorry! I don't have any recording equipment. The sound of my my kZ5 is very open and flexible. I still have no regrets about the upgrades I made to this bass over a year ago.

I agree that the rosewood fingerboard is excellent on the KZ5.

When I got my Z5 I was looking for a good fit for an Urban Gospel setting (IBC, Pentecostals of Alexandria, Tye Tribbit etc). Your standard Smith/MTD environments. The electronics do that pretty darn well as long as the bass is boosted. I was very happy with how I sat in the mix.

Well wouldn't you know it...a week or two after I got my Z, and got it dialed in to my liking, our church started to move to a more contemporary "rock" (Chris Tomlin, Desperation Band, Third Day etc) direction.

At first I fought it, but the more I played the Z in that setting I found it can fit for both arenas. It drives very well in the "rock" style setting, but there are little things that I would like to change. It can get a little boomy at times on the "B" and the highs are Hi-Fi for sure (which is what I wanted originally).

I am hoping a new Pre with the stock pickups can give me a little more of a "centered" sound. While I am not against changing my pups, I would like to retain the ones I have if possible. I need something with a dynamic enough sound to fit both styles of music as I LOVE the feel and balance of this bass I don't like putting it down!

lowfreqman what style of music and setting are you playing with your Z? I am playing in a 200ish member church through a Fender Bassman 250/210 Combo with no P/A support at all. I am looking at moving to a SWR 410 golight with GB Shuttle 6.0 as soon as I get the funds together.
 
When I got my Z5 I was looking for a good fit for an Urban Gospel setting (IBC, Pentecostals of Alexandria, Tye Tribbit etc). Your standard Smith/MTD environments. The electronics do that pretty darn well as long as the bass is boosted. I was very happy with how I sat in the mix.

Well wouldn't you know it...a week or two after I got my Z, and got it dialed in to my liking, our church started to move to a more contemporary "rock" (Chris Tomlin, Desperation Band, Third Day etc) direction.

At first I fought it, but the more I played the Z in that setting I found it can fit for both arenas. It drives very well in the "rock" style setting, but there are little things that I would like to change. It can get a little boomy at times on the "B" and the highs are Hi-Fi for sure (which is what I wanted originally).

I am hoping a new Pre with the stock pickups can give me a little more of a "centered" sound. While I am not against changing my pups, I would like to retain the ones I have if possible. I need something with a dynamic enough sound to fit both styles of music as I LOVE the feel and balance of this bass I don't like putting it down!

lowfreqman what style of music and setting are you playing with your Z? I am playing in a 200ish member church through a Fender Bassman 250/210 Combo with no P/A support at all. I am looking at moving to a SWR 410 golight with GB Shuttle 6.0 as soon as I get the funds together.

God Speed, try adding a second battery in series to run at 18v. Gives your more headroom, better transients. I did this with my Z5 and it rocks really well in the contemporary/alt rock worship style at my church. A LOT less expensive than a new pre and new pickups! It works for some people, others still go for the more expensive options, but it's worth a try as a first effort!
 
My biggest gripe with the stock electronics was the lack of bass in the signal. I would always find myself boosting the bass too much just to get an acceptable sound. Additionally, it would eat a 9V battery in about 1.5 months.

With the new electronics, the bass sounds fantastic without any boosts or cuts. This is now my utility bass that I use for rock, funk (both slap and fingerstyle), country, worship, and some new-age jazz. Plus, I have two mid frequencies to choose from for boosting and cutting and the ability to go passive for a more vintage sound.