Just wanted to say this thread is great. I was a pro bass trombone player touring with big bands in my pre-bass (guitar) days. Reading all this from the bass POV is super interesting. I really took for granted what the bass players were doing on the bands I was in - we were playing 4 hour dance gigs with charts and it's a lot of notes lol. Sometimes those gigs started with small groups playing real book standards before the larger band got going. I look back on those guys with great respect now. All I had to do was read my bass bone chart lol (oh and play in the pocket and articulate in the section and sound like George Roberts lol). The lesson for me now is that if people kinda take the bass for granted, that's actually a good thing.
A chart I remember that had lots of bass bone -> bass doubling was Bob Curnow's arrangement of Pat Metheny's Minuano. I played it (on bass trombone) in Nashville with Craig Nelson playing bass and remember him just reading it down in rehearsal. I bought the bass chart after learning bass a bit and was quickly humbled.
A chart I remember that had lots of bass bone -> bass doubling was Bob Curnow's arrangement of Pat Metheny's Minuano. I played it (on bass trombone) in Nashville with Craig Nelson playing bass and remember him just reading it down in rehearsal. I bought the bass chart after learning bass a bit and was quickly humbled.