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These don't get much attention around here, but after taking the chance, I really think they should
Bass is my old SB2, old Webstrings nickel rounds, did a few different styles and techniques (and in the end mics) to get a good overall impression. Most tracks done with an AT2020 into my Emu 1820, but one with a D112 and another with a 57 versus a new GLS ES57 clone, just for fun. Tried to use recognizable riffs for easy reference too. Fingerstyle and classic rock tracks the 2020 was up close, but for the harder stuff, I backed the mic WAY off the cab (~5 feet). The dynamics were ok right up on the grill.First impressions- Niiiicceeee
All tube, dual 6550 power section. baxandall-esaque 2 band filter EQ with presence control for power amp (which actually works as advertised). Physically, it mimics the classic B15 layout as well, but in a modern head enclosure. Built in DI, but was noisy when I was trying to record it, probably a power/grounding issue. First half of the volume gives you a clear, well, classic sound that sounds B15 ish. Cranking it up, gets a nice rock sound around noon, which seems like it'll be the perfect level for sitting nice in a mix on stage, With the AT mic, I had to back way off on the bass control, and I forgot and left it there for the rest of the demos. So there is plenty of low end on tap. Came with the Classic 410 cab (tweeter, ported) which sounds quite nice, can't wait to get it up on my 2x15
Weight is manageable, ~ 40 pounds for the head, 75 ish for the cab (which came with casters). AMS has a deal where you basically get the cab for free, so couldn't pass that up.EDIt: Listened to Reverbnation clips, effing wireless dropped some of the uploads, I'll have to try again form a hardwired compy. But they still sound pretty good, just end abruptly
That being said, it sounded awesome, and easily filled the (very) small bar we were in with tubey goodness.
