Tim!! How's everything bro??? It's been a minute! Yeah man,Victor's bass was killer...he let me use it on a gig when he came to Memphis.I almost never put it down...that's a rare moment when I have my Laklands onstage!! haha!
Yeah,I sold my Osborn about a year ago...
I'm good--hope to catch you in person sometime soon.
Viktor's is a great one, and is a good example of how this goes. All of these basses are great options, but sometimes a particular bass just beats out the others similar to it.
Sorry you had to let your JO5 go. I still have mine--(alder/rw)--I bought mine years ago to "shootout" with my old 55-94. I liked both and they were very different from each other, so they stayed and I'm fortunate to have those options.....
I don't know that I can help the OP much, but there is a lot of good info in this thread. Hopefully you can try some of these basses out and see what works best for you. They're all versatile, excellent basses. They also come up used, so if you wait it out you should find a good deal on them.
A couple things to keep in mind:
-The Sadowsky Metro is 34" while the others are 35" and will feel different.
-The Sadowsky Metro and Lakland 55-94 are about the same price range used--the MTDs are usually more
I have had a 55-94 for about 8 years as my main 5 string. It's my only active bass as well. It often sounds dark in headphones or on a gig to me, but it's really excellent recorded (or on a gig for that matter)--punchy and consistent. There have been a lot of situations where it sounded so-so in the cue to me, but then was all there on playback or the final product. It took a while owning the bass to realize what was happening. Situations like that show why it's important to own a bass for a while before you really know where you're at with it. Luckily, I don't think you can go wrong playing any of them while you make the final decision.
FWIW--you mentioned Robert Glasper in your first post. I just saw Derrick Hodge with him over the weekend at the Detroit Jazz Festival. He was playing a Fender 5 string jazz for some of the set and then moved to a fretless that I didn't recognize. It was really great--glad I caught it.