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Double Bass Neck joint shim repair

I have a school bass with a broken neck. The neck is split through the heel. The mortise and tenon joint is very poorly fit. There is at least 1/4 inch gap in some spots. I want to shim the joint in order to reattach this neck. Should I use maple or spruce?
 
Here's the mortise before I cleaned out the gorilla glue
Mortise.jpg


You can see some shims in there already. I will remove them to get to bare wood

Here is the joint from above. It's not even square

gap2.jpg


And here's another view

neck%20gap.jpg


Is shimming sufficient, or should I enlarge the mortise, glue a large "patch" onto the block, and re-set the entire joint? My problem is no surface is square or flat, and I think the entire joint needs to be remilled.
 
You need to take the rest of the neck heel out of the pocket first. Then you can repair the neck separately from the mortise. The mortise needs to be built up with tight grained spruce and re-cut to fit the tenon nice and snugly. Those little shims are incredibly hokey...

Hide glue and away you go! Good luck! ;)
 
Here ya go.

All you guys that want to do repairs for a living should get used to this.

Block.jpg


Dave

That's exactly why real bass shops quote such high prices for neck repairs on cheapo basses. I got ahold of a half-size Gewa bass with the neck broken at the front of the heel awhile back. I paid €50, including bag. I could have done a quick glue job and flipped it in no time. Being the freakin' idiot I am, I decided I would remove the rest of the heel from the neck block so that I could add some depth and increase the overstand and bridge height. Dave needed to do this - I didn't. I think my heel was glued in with polyurethane. It took about 6 hours over three days to remove. Here is where I was a few days ago:
gewa1.jpg

As you can see, I had to add a FB shim anyway to gain any appreciable bridge height. I could have simply reglued the break and left the neck joint the way it was. I also had to make wood fillets to cover the mess I made with the laminated ribs. In the end I think I can still sell the bass and be left with better than McDonalds wages, but in the future I will be more cautious.

In Dave's case, he already has the heel out. He certainly suffered, but I think he's on his way.

I have one last question:

Why spruce for the wedges? I actually use beech, which I can cut very precisely on my table saw, and it has very consistent density and hardness. I can see maple, which might be easier to work with hand tools, but spruce has comparatively poor dimensional stability, especially in climates with large swings in humidity. Also, the block, neck and sides are presumeably all hardwoods. Just curious. I am no luthier, and don't presume to know better, but the spruce recommendation surprised me.
 
That's exactly why real bass shops quote such high prices for neck repairs on cheapo basses. I got ahold of a half-size Gewa bass with the neck broken at the front of the heel awhile back. I paid €50, including bag. I could have done a quick glue job and flipped it in no time. Being the freakin' idiot I am, I decided I would remove the rest of the heel from the neck block so that I could add some depth and increase the overstand and bridge height. Dave needed to do this - I didn't. I think my heel was glued in with polyurethane. It took about 6 hours over three days to remove. Here is where I was a few days ago:
gewa1.jpg

As you can see, I had to add a FB shim anyway to gain any appreciable bridge height. I could have simply reglued the break and left the neck joint the way it was. I also had to make wood fillets to cover the mess I made with the laminated ribs. In the end I think I can still sell the bass and be left with better than McDonalds wages, but in the future I will be more cautious.

In Dave's case, he already has the heel out. He certainly suffered, but I think he's on his way.

I have one last question:

Why spruce for the wedges? I actually use beech, which I can cut very precisely on my table saw, and it has very consistent density and hardness. I can see maple, which might be easier to work with hand tools, but spruce has comparatively poor dimensional stability, especially in climates with large swings in humidity. Also, the block, neck and sides are presumeably all hardwoods. Just curious. I am no luthier, and don't presume to know better, but the spruce recommendation surprised me.

If the block is spruce (and they usually are) and I'm adding to the block, I'll use spruce. Mostly its the block that needs to be re-built.

If the neck is maple and I'm adding to the neck, I'll use maple. I don't want to add any new woods to the mix.