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Need better gear or just GAS

I'm somewhere between new and experienced, having played guitar and bass for years but only recently joined a band. My current rig is an Acoustic B200H head paired with a Carvin RL118 cabinet. It has enough volume to keep up with the other players, but the RL118 is so heavy. I considered an additional smaller cabinet to add midrange, thinking it could double as a practice amp. However, the Carvin is 4 ohms and that's the minimum for my head, so I can't connect a second cabinet with the 118.

I would like to build a modular rig that I could use for practice, and small to medium sized venues. I'm thinking about swapping the RL118 for a 1x15 and adding a 2x10 or maybe just a pair of 1x12's. I found a deal on a Rumble 500, which is lightweight and could be paired with an external speaker (but not my 4 ohm Carvin). Would I even need a cabinet with a 500? This is all used gear, too. I don't have mid-life crisis money. 😂💸

Is this just another case of gear acquisition syndrome? Can I get some advice from the experienced folks?

~ Jay
 
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I'm somewhere between new and experienced, having played guitar and bass for years but only recently joined a band. My current rig is an Acoustic B200H head paired with a Carvin RL118 cabinet. It has enough volume to keep up with the other players, but the RL118 is so heavy. I considered an additional smaller cabinet to add midrange, thinking it could double as a practice amp. However, the Carvin is 4 ohms and that's the minimum for my head, so I can't connect a second cabinet with the 118.

I would like to build a modular rig that I could use for practice, and small to medium sized venues. I'm thinking about swapping the RL118 for a 1x15 and adding a 2x10 or maybe just a pair of 1x12's. I found a deal on a Rumble 500, which is lightweight and could be paired with an external speaker (but not my 4 ohm Carvin). Would I even need a cabinet with a 500? This is all used gear, too. I don't have mid-life crisis money. 😂💸

Is this just another case of gear acquisition syndrome? Can I get some advice from the experienced folks?

~ Jay
"Need better gear of just GAS ?" is not a question we can answer for you, it's always somewhere in the middle, and it depends on your needs, your resources etc. I'd say: if you can afford new gear than improves your musician experience without sacrifcing too much on your personal life, go ahead. If you feel mostly frustration because what you're dreaming of is out of reach, call GAS and forget it.

The Fender Rumble 500 is lightweight, and it would probably suffice by itself. It's probably one of the best "bang for the buck" today. It sounds great, but some people love it and others don't, because it has a very pronounced mid-scoop that's impossible to get rid off.
So try it before you buy it, because bang-for-the-duck isn't worth anything if you don't like the tone.

Markabass also have great lightweight combos that can be set to a more neutral sound, in the same price range.
 
The Fender Rumble 500 is only 500w with an external cab. With just the combo amp, its 350w. That is likely still enough for most band situations unless your guitarists have big stacks or your drummer hits like they're hammering on an anvil. If you like the tone of the Rumble amps, they are a good value and gig-worthy. If you want a different tone, you could look at combos from Markbass, Hartke, or GK.

I prefer the separate head and cab approach as it gives me more mix-and-match options. I play in a loud rock band and generally use either a 500w or 800w head. I use two 112 cabs for small/medium shows and pull out the 115/210 cabs for outdoor shows. We practice with IEMs so no amps used there.

Nothing wrong with getting lighter gear to make it easier to haul but the general rule still applies - tone, weight, cost: pick two. If you're trying to keep the cost down, I would keep an eye on your used market for something lighter than what you have but not crazy mid-life-crisis expensive. You can likely find something lighter than your Carvin but not "super expensive carbon fiber" lightweight.
 
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Considering it's an old 18" old style speaker (heavy not neo light) it certainly is not Gas, it's legitimate make my life much better syndrome. There's just so many options, that's the rub. So let used availability and budget be your guide to lighter, more normal modern equipment. Depending on volume needs 2 2/10s vertical are a good way to go, or 2/12" single box. A 15 will probably want a 2/10 or something for mids and highs, to stack so speakers are at ear height (vs speakers pointed at your feet) and to reach 4 ohms 2x8ohms.
 
2 options I can think of are get a 2 ohm stable head or find an inexpensive light weight 4 ohm 410 cab such as an Avatar and sell the Carvin. Check out the Musicians Friend/Guitar Center used gear section. They can have some pretty great deals there lately. I recently bought my super clean Eden WT550 head there for under $275. I've seen some pretty nice amps and cabs fairly cheap. Other places to look are Sweetwater's Gear Exchange, Craigslist, Facebook Market place and of course the TB classifieds. Good luck with your search.
 
I think the Fender Rumble 500 is a great, reasonably priced, practical amp that works well for gigs and rehearsals.

It’s light and loud, and with an extension speaker, it’s very loud.

I’d go try one and see if you like the sound.

I have one, and I like it, but I still prefer the sound of my BagEnd cabs with GK 400RB or 800EB.

The Ampeg series of combos are similarly priced and similar weight so they are another reasonable alternative to a similar price.
 
Lightweight is the way to go today. The Rumble 500 is as nice a combination of power and light weight for the $$ as you can find. There are many other lightweight rigs, and buying used might be good. Both Genz-Benz Shuttle systems (no longer made, but very reliable) and Genzler's new Magellan series would be nice candidates paired with lightweight speakers.

But a combo keeps it simple. The Rumble 500 would be a simple solution. Unless you have a really loud band, that amp is going to cover anything you need to do.
 
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Hauling around heavy gear is one of the biggest drags of gigging for me. I’d probably want to swap to lighter stuff too.

I’m a fan of light combos, particularly the Rumble 500. I like the simplicity. That’d probably be my first choice. (Or any similarly speced combo with an extension out.)

But separate components are popular for a reason. If it’s more cost effective I could see adding one light cabinet, then a second, then eventually upgrade the head. Might depend on what’s more affordable/readily available too.
 
It’s really hard to go wrong with a Rumble 500, especially if the price is right. It should be loud enough as-is, and it’ll definitely be a lot nicer (lighter) to lug around than what you have today.

I’ll also mention that a good preamp pedal into a “FRFR” speaker can sound pretty nice, and those are generally really light too.
 
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I almost ended up going the complete opposite way. I found a deal on a Peavey BAM 210. It would even work with my 4ohm 118! I had it in my cart, but then I found out it weighs more than the cabinet I have dubbed "the Monster".👹

I don't want to stop the thread, but I do want to thank everyone for offering solid advice with a side of validation. I especially like:
Tone👂/ Weight 💪 / Cost 💵 -- Pick two. 2⃣

I'm heading to practice this afternoon, so I will be hauling the Monster there and back and dreaming about lighter cabs.
 
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No one should be carrying around an old 18" cab anymore, get something Rumbleish and it will change your life.
Easier load in with the same or more sound will make you happier while playing and easier load out when done will keep you smiling the drive home.

Of course, this joy is temporary until you forget you used to load that 18" so much. But every time you remember lugging ye ol' 18", your smile will come back.
 
I'm not sure what a FRFR speaker is 🤔.
“Full range/flat response.” In practice it’s mostly a marketing term, but the general idea is to have a speaker that doesn’t color the sound at all. It’s popular with people who use modelers (think Neural Quad Cortex, Line6 Helix, etc.), and this approach also works great if you’re using something like a Bass Driver or other preamp that simulates a cabinet.

I’m generally running either a VT Bass DI or Sonicake B-Factory preamp into my Headrush FRFR-112. I’m not saying it sounds the same as having a real fridge behind you, but it definitely gets loud and shakes stuff around the house (and I only have the volume on 3).
 
I'd leave the 18" boat anchor at a practice space and never move it again ;)
I have a Peavey cab with an 18" Sigma In The Basement. It doesn't move, but I do remember carrying up 2 wide old factory flites, me on one side bandmate on the other. The Peavey Tour 2/10 (also with iron Deltas) on top of that, 800w GK amp was a hell of a rig and could handle any low freq distortion.
It's too bad that is a 4 ohm because paired with a Rumble 500 an 18 would be amazballs. You know, flat is a low and low mid cut on those....
 
I almost ended up going the complete opposite way. I found a deal on a Peavey BAM 210. It would even work with my 4ohm 118! I had it in my cart, but then I found out it weighs more than the cabinet I have dubbed "the Monster".👹

I don't want to stop the thread, but I do want to thank everyone for offering solid advice with a side of validation. I especially like:
Tone👂/ Weight 💪 / Cost 💵 -- Pick two. 2⃣

I'm heading to practice this afternoon, so I will be hauling the Monster there and back and dreaming about lighter cabs.
I predict the search for a nice lightweight combo or system will begin within 48 hours of the time you move that new amp around. It's OK, you're allowed to have multiple systems. I have a beautiful 20XL Roland Bass Cube (20W), a Rumble 100, and a Genz-Benz Shuttle system with one 12" and one 2x10 cab. Peak power on the Genz-Benz is 600W with both speakers connected. Nothing in that list weighs more than 36 pounds with amp included, and it covers everything from in-room practice to "hold your hat on when I hit this note."
 
I may have found my new combo amp. I found a deal on an Ashdown Studio 210. What little I’ve found on them so far sounds very positive. I found one listed as brand new for less than the $600-$700 retail prices I’m seeing elsewhere. It will stretch my budget a bit, but I’m VERY tempted.

Anyone want to dissuade me?
 
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