Very cool. Not sure why I'd want an XLR on a fuzz pedal, but other than that it looks really interesting.
TalkBass has been independent since 1998. Add your voice.
Create a free account to reply to discussions, view embedded media, and browse with fewer display ads.
Join free Log in
Want zero display ads or expanded classifieds tools? Compare plans.
Very cool. Not sure why I'd want an XLR on a fuzz pedal, but other than that it looks really interesting.
I called Electro-Harmonix and (surprise!) they had no clue what I was talking about.
:scowl:
If a fuzz like this one (or similardistortion like mxr m80+) is set quite early in an effects chain (say.. before filters, mods, delay, etc).. why on earth these pedals have a DI out ?
send a wet signal to one amp and a clean signal to another
huh ?
the DI is a buffered dry output. You could send that clean to the PA and send the effected signal to your amp
fasto said:i don´t get it: why would i send a clean signal to the PA and fx-signal to my amp? 2 different sounds ... i want the audience to hear my effects!?
on the topic: EHX pedals (Bass Big Muff, Q-Tron+, Tube Zipper) NEVER did it for me, but maybe i should give them a very last chance with that new Bass Big Muff Deluxe ... or maybe not, i have enough qualified dirt pedals.
Edit; from the instruction manual on the page:
The Deluxe Bass Big Muff draws its roots from the legendary Sovtek battle-tank green Big Muff
Pi from the late 90s as well as from the original Electro-Harmonix Big Muff Pi from the early
70s. The Deluxe Bass Big Muff takes the best elements from both of these classics, employs
sonic elements that were specifically designed for your bass and gives you even more toneshaping
options than ever before.
... intriguing.
jasohall said:Seriously, what does EHX have against mids?! Do they think we all play jazz or classic rock or something? I loved my ehx bbm until I played it in practice and my bass kept disappearing. I hope this thing delivers, there's a ton of other great muff clones out there and I keep wanting them to release a quality product for bass players that trumps them. It has everything right but a mids knob, or any mention of how mids will sound with it. I just don't know man.
Pardon my stupidity, but exactly where are we seeing this?
The Grey Stache has a mids knob and I feel like the Bluebeard remains audible in a band context as well.
There is a blend knob though, I think it will be very redundant to have a mid and blend + they already put the crossover to sculpture your tone further.