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New Ibanez BTB670/675/676

Hi folks.
What do you think about new BTB's? They looks so sweet. Anybody has this nice bassguitar?[/url]

I just did a side-by-side comparison and must say I actually prefer the older styled BTB body. The lower cutaway looks to be an improvement for 21-24 fret playing, but overall I find the enlarged and thinned-out upper and lower horns to be... spindley. :scowl: They also now, to my eyes are drifting somewhat close to Skjold territory - that's the first connection that my mind made when seeing them.

This example also kind of bugs me about the sever lack of Ibanez web presence on their US site vs other parts of the world (I believe each site is run by the distributor in a specific country, and not one unified presence). Slovakia has a nice NAMM review [Invalid or Expired Link Removed], while in comparison the US site has a few thumbnails tossed up on an otherwise [Invalid or Expired Link Removed]. You' think some effort might be put into their largest market but nada on that one.:mad:

However, one thing makes up for it: the 20th Anniversary "Surfing With The Alien" Joe Satriani model:

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That looks to be inlaid chrome used for The Silver Surfer and not simply just a fancy paint job. If only I was guitarded... ;)
 
I think I rather like the new design. I've had the same BTB405QM for the last six+ years and still enjoy it alot, but this new design looks a little more streamlined. If the 475 comes in black and and is neck through, as the website says, I just may cave in. I can't make any judgements until I actually get one in my hands and I don't see anything on the horizon for a U.S. release yet. Hopefully soon. What I'm disappointed in is the "vaporware" singlecut version of the BTB. I read alot of hearsay online for the last few years and have seen nothing but a vague prototype. A singlecut version of this would really get my rockets firing.
 
Great electronic with lots of versatility in sound, but always powerfull.

I agree, the power stands out for me when playing this bass, but even with all that power it's still incredibly easy to get out a nice sweet tone when it's needed, but when it's time to bring the funk this bad boy never fails, I'm currently in love with this bass and spend every possible moment going down to the shop that has one in stock and playing it until I get the funny looks. For it's price this bass is amazing.

I also love the look of it's extended horn too, I think it only adds to its uniqueness. It's the perfect bass for someone who wants to have a bass with a real personality about it without paying X amount to a custom luthier.
 
I've just put down a deposit on the BTB670 4-string and am picking it up on Saturday - I'm like a 6 year old on Christmas Eve night !! I first played an Ibanez a couple of months ago, the RD600 model, and was amazed what tone I got at both ends. I then had a tinkle on the BTB470 and to my amazement found this was even better ! I nearly bought it there and then but held on until the new 670 model came in and was completely smitten with the look, finish and style. Love the new cutaway body and straight-through neck, which is ideal for me as I only have smallish hands and the neck width is not too great. I also like the single string bridge set up rather than the block style, which is purely a cosmetic preference for me. The deep booming rock sound you get at the top end goes right through you and almost seems like it'll shake you to your feet, whilst the crisp harmonics from those new Bartolini pickups at the bottom end ring loud and clear. This is without a doubt one the best active basses I have ever picked up and Saturday morning cannot come quick enough, I'll be road-testing it in the studio with the guys on Saturday afternoon - and maybe into Saturday night !!!

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You' think some effort might be put into their largest market but nada on that one.:mad:

Largest market = Europe.

Anyways, I just ordered a 675, I was sold on it after trying it for an hour. This thing is just unique. And up to my specs as well. I want neckthrough and Bartolini's - the single string bridge and the fact that it's the most beautiful mass produced bass (except my other bass, the 1st gen Washburn Taurus) I've seen is just a bonus.

One thing I am missing though is a 0-band. An open string fret instead of the saddle which is so basic and on almost all basses. In most cases this is rubber, and I guess I could replace it with brass.
 
i have the BTB675 and to me its a very good bass, as jackbass and brittain said before me it has great electronics (bartolini) which are very versatile and the locking jack is also a plus (neutrik). aestheticly i am very happy with it however im not too fond after switching to a 5 string of the look of the BTB670 as it looks thin to me however other 4 strings dont.
 
The new BTB's look too much like mandibles.

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I know this is a rather old thread but since someone brought it back to life I thought I'd chime in with my 2 cents.

I prefer the older body style better. There's just too much horn in the 2009 model for my tastes.

It'd be nice if in 2010 they'd offer both body styles to the masses.
 
I'm old, but after 29 years I'm back to playing Bass I just purchased a BTB670 and am
very happy with this guitar, I've been playing regular accoustic and electric 6 string
guitars for a couple of years, but the 670 really brings me back and I don't miss the
70's Era Fender Precision I had back then. It was a great bass, but no time for tears
the year is 2011. No more tears!!
 
just put my ($200) deposit down for the BTB675 and can't wait to pay off the remaining $600 I owe and take it home. At first I had a bad impression of the BTB's because the first few I tried at different Guitar Centers were so poorly set up it should've been a crime... then I tried a couple over at Sam Ash, which were properly (and perfectly, IMHO) set up and it just made me want to yell at GC's guitar tech's for doing such an injustice to high-quality basses like these.

Even against a Lakland Skyline 55-02 and an MTD Kingston Heir 5 (both basses that I would def recommend to others) that were competitively priced and in great condition, the BTB675 was def the winner. Tightest/most-resonant B-string with no fret-buzz out of every 35'' scale 5/6-string I tried (even with a light .125 gauge low-B on it), zero cross-talk between strings thanks to the mono-rail bridge, the superior playability Ibanez is known for... Overall, very solid and versatile electronics (pickup/preamp), as well, so your tonal options are quite extensive. If you've ever tried or played one of those basses that "at normal EQ-settings, it sounds great and everything... except when I boost the [bass, mid, or treble] switches or when I switch towards the [bridge or neck] pickup", believe me, you won't feel that way about the BTB. "The sky's the limit with your tone" is more-or-less true... if you tend to prefer the supposed punch/brightness of bolt-on necks, like I do, chances are you'd be surprised that this is a neck-thru bass. Of course, it's not going to be THE punchiest or have the most ideal slap-tone out of any bass in the world, but I'd be willing to bet you won't think "I love it, etc. ...I only wish it was a bolt-on neck".
 
I owned both a Prestige 1205 (older shap) and a 1305 (new shape). I much preferred the look and feel of the older shape. It also seemed to balance a bit better. Truth be known I originally bought the 1205, liked it but sold it for some reason and regretted it. Bought the 1305 cause I couldn't find another 1205 but didn't like the feel of the 1305.
Both were set up immaculately and both sounded great.
 
They also now, to my eyes are drifting somewhat close to Skjold territory - that's the first connection that my mind made when seeing them.

I can see where you'd say that. Which makes it understandable, as Ibanez is, after all, seeking the boutique aura for these instruments.

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Then again, the old 1206 might have been closer:

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