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Double Bass New technique

So Eric Hochberg, great Chicago pianist Larry Novak, and I were hanging during a break at my gig the other night and we were (jokingly) talking about using capos when playing things in unfamiliar keys like our strummy-strummy guitar friends. We then had a brainstorm (I think Larry sparked it). What if we just play in one position and raise and lower the endpin to adjust for key. Brilliant!!!
 
We had a sub on guitar last Saturday night and he called a Monk tune I had never heard or even heard of... It was in Ab minor, yep 7 b's. (Bridge was Gb-Cb, if that helps anyone identify the tune, if anyone cares)

I told him that if he ever wanted to play that tune again, we were going to play it in G min or A min, his choice. Maybe I just need to stick a guitar capo in my bag and hand it to him for that tune.

=on another note, some friends were playing R&B upstairs, I went up on break and heard 'em play a wicked version of an old Ohio Players tune "Skin Tight". When they came downstairs to hear us, we were playing "Milestones' (the Miles modal version). On the bridge<where PC pedals the A> I quoted the funky bass line from "Skin Tight" and got a funny grin=
 
Yup, it was Green Chimneys. You're right, it is a great example of a song to practice intonation. I still would rather 'capo' it up into A minor...

It's also an example of 'practice what you preach'. I expect my students to practice their major and minor scales in all 12 keys, so I suppose I should do so myself. Then I might say 'Cool, A flat minor, I was just practicing that scale last night'.

Or I might tell the sub "We are not playing in Ab minor because I cannot play it in tune."