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No open strings?

open strings are harder to control, they also sound different. Your tone is more consistent when fretting all notes. zero fret anyone? Obviously E & B are exceptions.
I find this true, but also based on initial influences as my first teacher was a one finger per fret guy, who stressed the importance thereof before venturing onto scales up the neck. 4 finger work on bass he felt, was a primary skill.

If you go back in time, there were a lot of 3 fingered claw players who strummed with a pick, probably more today, but its more accepted these days.
 
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I was told when I started playing bass (many years ago)
"A good bass player never uses open strings."
I still find that odd after 37 years playing.
Any opinions on this?
I was told the same thing, but my teacher told me that there a really good exceptions... he then taught me Day Tripper to show me why. This is so funny because I have been playing for 45 years AND still try to play without using them. My god.
 
I was never outright told, in fact I was told the opposite when working on reading exercises. I prefer to play closed fretted strings in the 5th because personally I like how it sounds and for playing certain lines and feels better, but there is nothing wrong with playing open, some basses if you pluck right you can't even tell the difference IMO personally.
 
I avoid them because I think open notes do ring differently than a fretted note and are harder to manage in terms of muting and attack. But I don't consider anything to be cast in stone. Whatever works best to serve the song.
 
Using open strings also means more first-position playing. Playing there is physically harder -- your fingers have to stretch more. So defiantly insisting people avoid that is really just a sign of owie-stretchy-finger-syndrome. So we should show some empathy to people who have such tender fingies. And then send them to Hans and Franz:
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I find this true, but also based on initial influences as my first teacher was a one finger per fret guy, who stressed the importance thereof before venturing onto scales up the neck. 4 finger work on bass he felt, was a primary skill.

If you go back in time, there were a lot of 3 fingered claw players who strummed with a pick, probably more today, but its more accepted these days.

This depends as much on the bass and your left hand technique as it does anything else. One of the things I love about my Laklands (especially the 5 string axes) is that fretted and open notes are very consistent in terms of tone. If your muting technique is up to snuff with your left hand, you can work open strings in almost imperceptibly.