- Oct 22, 2015
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Well... I've decided to take a little detour by installing GHS Super Steels 40-58-80-102 on my Ibanez instead of the Compressors. I've always had a love-hate relationship with stainless steel rounds in general, ie "love the tone, hate the feel", so I'll have to see how long they will stay on. Meanwhile, I do have four sets of KS Compressors in my personal stash as a backup.![]()
These Compressors literally stay in tune for days, and are stupidly easy and fun to play. Yet my inner ear still hears the stainless steel roundwounds I swore off ages ago. It's baked-in memory.
It appears the tension of the lightest set of GHS Bassics is close to the pulling tension of the .040 - .096 KS Compressors. That would get me into brighter territory with the 'Ray. And yes, I've thought about it in these last weeks.
What is in front of me is a proper recording date with My 'Ray, and the Compressors will serve me well. I sort of mind/don't mind the pressurewound construction. My view is Pressurewounds, like flats, mask technique problems. OTOH I will record with these strings and it will be fine. That's why I installed them in the first place: more of what I call the native StingRay howl. The Compressors do deliver in this department ....
.... and I have everything low passed at 5kHz
I'll see how I feel in five months. Right now, I'm perfectly happy with the GHS Compressors.