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Molotov use two basses in a lot of their songs, like "Que no te haga bobo Jacobo" and "Here we Kum", and it definitely sounds great!
and the Tramps used two basses on "Disco Inferno".![]()
Great info. twofingers!As a sound guy too, I can tell you it's a simple matter of physics. Mid frequency and high frequency tones "blend" better. Chords in sub frequencies (with rare exception) sound horrible.
So, if you had two bass players, they would have to occupy two different sonic footprints. Either...
One would have to play low bass and one higher (which really negates the need for that higher instrument being a bass).
Or one could play sustained notes while the other does plickity plackity stuff...which can usually be handled by a drummer/percussionist.
If you'll notice, the same has happened throughout history of music. Babershop quartets don't have two bass singers, while all of them have a couple or three guys in the middle/high range. Symphonies usually have a slue of mid/high instruments with maybe a couple tubas or double basses. Those bass tones simply clash when layered in most cases. (There are exceptions, of course, but they are rare.)
Short version: They couldn't realistically occupy the same space like keys or guitars can. If they have to occupy two different sonic spaces, why have them both be basses when so many other instruments do the mid/high things so much better than basses do?
Hmmm some interesting opinions about acoustics and low frequencies in here
Check out Renauld Garcia Fons, a jazz bassist who usually has a bassist in his band playing usual bassist stuff while he plays extended solos. Although he is often in the upper register of the double bass that isn't always the case, and low frequency intervals between two instruments can have a hugely rich modulated sound.
Also check out the double bass section of any orchestra, and particularly how double basses and cellos cross over frequency ranges. Same thing applies again with low frequency intervals (i.e. chords).
Multiple instruments in the sub 100Hz-ish range work just fine, as long as you think about what they are doing. All rock instruments cross over in frequency ranges and keeping them clear of each other in that respect is a pipedream.
And then there's Lemmy of course, who played rather a lot of chords on bass.