Mandolin Bros. Thanks.Manny's didn't work on it. It was Flip Scipio at Mandolin Bros. on Staten Island. Bass came over from London on Concorde in it's own seat, with equipment manager John Hammel in the adjoining seat... ;-)
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Mandolin Bros. Thanks.Manny's didn't work on it. It was Flip Scipio at Mandolin Bros. on Staten Island. Bass came over from London on Concorde in it's own seat, with equipment manager John Hammel in the adjoining seat... ;-)
Mandolin Bros. Thanks. It is good to hear from the source.It was Mandolin Bros., on Staten Island. I was there and discussed it with them at that time.
Damn if it ain't the man himselfbassslinger woof,
I got in 2015 an econo hofner from china and love it. black violin one. no neck dive if you know how to where it I discovered. took pickguard off, flipped jack plate around. has very much its own trip. little light labella flats. real easy to play, fun and I do a buttload of composing on it. I keep right next to where I konk. just my thoughts - I speak for no one else. I've made albums w/it, toured w/it. singular.
on bass, watt
mike watt's hoot page
If Paul had more money and wasn't a lefty, I believe Hofner would have gone out business years ago. And this is coming from someone who owns three German ones.It was only 30 quid and wouldn't look daft when i flipped it around to play it left handed.
The Beatles kept lots of gear companies in business. Kind of a moot point.If Paul had more money and wasn't a lefty, I believe Hofner would have gone out business years ago. And this is coming from someone who owns three German ones.
Höfner was a very established acoustic and electric string instrument maker long before Paul bought his first 500/1: they had a distribution network in Britain through Selmer UK, and even started supplying necks and parts to Carvin in the US at the end of the '50s; Italian MI company Eko even started making violin basses, at first solid (but far more likely to have been inspired by Höfner than Gibson) then hollow, well ahead of Beatlemania.If Paul had more money and wasn't a lefty, I believe Hofner would have gone out business years ago. And this is coming from someone who owns three German ones.
I have a mid-60's, probably around '67. I love to play it. Producers request it for sessions because they love the sound of it. I have tapewounds on it, used to have flats on it. I used to play in a jazz piano trio, the pianist would request that I play it because of its warm, woody sound. It'll only make your life better.
I don't care for the small string openings on the peg holes. Standard size bass strings don't fit the Hofners.
I was thinking of buying a Hofner Violin bass because of that unique sound. but I was wondering if there were any major disadvantages or advantages in buying one. and I also just wanted to know anybody else's opinion on if they are good or not
I'll pretty much have to agree with Mastermold. I'm the owner of several hollow-body basses with skinny necks; trapeze tailpieces; and floating bridges, so here's what I know:Hi and welcome to TalkBass! I'm sure you're realizing by now that you're going to get a lot of opinions here based on the experience of the members but the only member's opinion that matters here is yours. You say you want one for the "unique sound." That's a good reason for buying any bass. Most short-scale hollow body basses will deliver something like the sound you are going for, and Hofners are a good instrument for that goal. You may want to consider their budget line (the Ignition series) first to see what you think. They are inexpensive, especially if you can get one used, and will give you that sound without taking much risk on a purchasing a more expensive CT or German model.