Three or four years ago, I bought some audio interfaces and mics so I could record my band. I am, by nature, a geek
and I am always going out into uncharted territory, above my pay grade (and being told by the "experts" that I'm in over my head - I'm used to it). I've just always enjoyed taking on something I know nothing (or very little) about how to do and trying to solve it by experimenting.
My band at the time was a group of guys that always sounded good live but none of them had any studio experience. They had wasted hundreds (thousands?) of dollars on studio time with nothing to show for it because they really didn't know how to make use of studio time. And that was why I decided to record them myself and just try to capture the way we sound when we play a concert.
I recorded in our rehearsal hall (near the airport - planes taking off or landing every 10 minutes - made vocal overdubs hilarious). And experimented with mic placement to try to get the best sound I could with a minimum of processing or EQ. I really made it a top priority to get everything as close to direct as I could and no compression or effects on any of the tracks (other than reverb on the vocals and final mastering EQ and compression).
I really like what I captured with some things that make me cringe now (in particular the reverb on the voice - I just couldn't figure out how to make the vocals sound FAT like the best studio recordings do - and the reverb I got just sounds cheesy and boxy to me (it was a great reverb - just user error on my part not knowing how to get the best from it). And another thing that makes me cringe is whenever the vocals are not up front enough or a guitar solo is not up front enough (or too up front). And being a part of the band - I had to always wrestle with how "up front" to make any one instrument (and I'm not the bassist BTW). I didn't want to favor my own parts or piss anyone off because I didn't mix them high enough. And with every mix I tried to make it work on boom box and car stereo and headphones as well as high end HiFi gear (quite a challenge and I must have mixed/mastered the recordings 100 times trying to pick the best compromise).
Sorry for the long rambling and history of this ... I just pulled these recordings out and listened to them again for the first time in years and thought I'd share a couple with you guys and get your feedback. And if anyone can tell me how to get the vocals processed the way I wanted them instead of how I got them - I'd love to learn the secrets. (and of course, please don't listen on laptop speakers
)
My band at the time was a group of guys that always sounded good live but none of them had any studio experience. They had wasted hundreds (thousands?) of dollars on studio time with nothing to show for it because they really didn't know how to make use of studio time. And that was why I decided to record them myself and just try to capture the way we sound when we play a concert.
I recorded in our rehearsal hall (near the airport - planes taking off or landing every 10 minutes - made vocal overdubs hilarious). And experimented with mic placement to try to get the best sound I could with a minimum of processing or EQ. I really made it a top priority to get everything as close to direct as I could and no compression or effects on any of the tracks (other than reverb on the vocals and final mastering EQ and compression).
I really like what I captured with some things that make me cringe now (in particular the reverb on the voice - I just couldn't figure out how to make the vocals sound FAT like the best studio recordings do - and the reverb I got just sounds cheesy and boxy to me (it was a great reverb - just user error on my part not knowing how to get the best from it). And another thing that makes me cringe is whenever the vocals are not up front enough or a guitar solo is not up front enough (or too up front). And being a part of the band - I had to always wrestle with how "up front" to make any one instrument (and I'm not the bassist BTW). I didn't want to favor my own parts or piss anyone off because I didn't mix them high enough. And with every mix I tried to make it work on boom box and car stereo and headphones as well as high end HiFi gear (quite a challenge and I must have mixed/mastered the recordings 100 times trying to pick the best compromise).
Sorry for the long rambling and history of this ... I just pulled these recordings out and listened to them again for the first time in years and thought I'd share a couple with you guys and get your feedback. And if anyone can tell me how to get the vocals processed the way I wanted them instead of how I got them - I'd love to learn the secrets. (and of course, please don't listen on laptop speakers