I've seen some somewhat shotty work on a brand new ESP custom shop. The "Ouija board" Kirk Hammett Model......... He paid 8 g's for this (limited edition)... gaps in the neck pocket, fretwork was not exactly "excellent", but not good either (once I checked them, there were about 10 frets that were higher than others). IMO, It was more of a "wall hanger", until I set it up, then it was fine. I've seen Japanese ESP custom shops, that were around 2k, that were in better shape than this one.
A Gibson custom shop Les Paul ($3k): Uneven fretwork, Faded spots in the paint job, under the finish, binding work wasn't great. Set that up, leveled the frets, sent it on it's way.
My guitarist wanted his music man Petrucci's set up (he's got 4 of them), craftsmanship was good on them, but get this: No adjustment springs on the pickups??? Literally just screwed in there. Luckily I had some springs on hand. From one to the other, 1 was "hotter" than the others, signal wise.
OTOH
One of my guys brought an Anderson in, to get set up..... for the life of me, I could not find fault in this guitar, other than the "vanilla" set up, when it was brought to me.
Hamer Talladega: Again, the craftsmanship was awesome, I could tell this was someone's "baby", when they were making it.... Everything from the way the wood grain was layed out, binding, inlays and even the burst and the finish was flawless. This one made me stand at attention, regarding my own work.
Zemaitis: Came in for a setup, another beautiful guitar, could not really find any fault in the craftsmanship. That guitar spoke to me and it said "Hey Jason, your work is $**T!
