I think everybody, especially newbies, gets caught up in hype, and goes crazy for features on basses and amps that are not really necessary.
Back in the Seventies and early Eighties, I just swore I needed a 24 fret bass for "soloing and more expressive" playing, after all, Stanley Clarke had a two octave neck, didn't he?
The irony was that I was playing by ear and didn't know the notes on the fingerboard, and I only had basic knowledge of chord structure. In other words, I had none of the skills needed to make use of extended range.
I also think about Steinberger and graphite necks for stability. Heck, I was afraid to touch a trussrod, and did not understand intonation. When you are a bedroom player 90% of the time, as was for the first 17 or 18 years of playing, you can wallow in ignorance a long time.
The bottom line is the more I got out and started playing, the more it really sank in that the player, not the bass, makes the difference.
Back in the Seventies and early Eighties, I just swore I needed a 24 fret bass for "soloing and more expressive" playing, after all, Stanley Clarke had a two octave neck, didn't he?
The irony was that I was playing by ear and didn't know the notes on the fingerboard, and I only had basic knowledge of chord structure. In other words, I had none of the skills needed to make use of extended range.
I also think about Steinberger and graphite necks for stability. Heck, I was afraid to touch a trussrod, and did not understand intonation. When you are a bedroom player 90% of the time, as was for the first 17 or 18 years of playing, you can wallow in ignorance a long time.
The bottom line is the more I got out and started playing, the more it really sank in that the player, not the bass, makes the difference.
